Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

Review: KSO’s “William Shaub and Friends” Visits Bartok and Schubert

BY ALAN SHERROD   “In a limpid brook the capricious trout in joyous haste darted by like an arrow.” There is probably no more successful translation of words into musical flavor than in Franz Schubert’s lied, “Die Forelle” (“The Trout”)…

Big Ears Adds a Literary Dimension of Celebrated Writers and Poets to 2022 Festival

As if one needed any more compelling reasons to jump into the swirling artistic cauldron that will be Big Ears 2022 in March, the festival is announcing an added layer of literary connections to its already jam-packed, multidimensional lineup of…

Monday Arts Miscellany: Recitals, Galleries, Concerts to Wrap Up January

University of Tennessee’s Ewing Gallery and Downtown Gallery Funny you should mention it — there is a theme here for the latest shows at both UT’s Ewing Gallery and the UT Downtown Gallery. Opening on Monday, January 24, at the…

Review: William Shaub and KSO Warm a Cold Evening in Barber’s Violin Concerto

BY ALAN SHERROD   There is something of a notable history to the January Masterworks concerts by the Knoxville Symphony Orchestra—a history that seems a bit contradictory on its face. In our coldest month, when inclement weather is likely to…

Tuesday Arts Miscellany: January Events Continue

Knoxville Museum of Art: “Empty Columns Are A Place to Dream” Curated by Ric Kasini Kadour, this exhibition features the work of 18 collage artists from eleven countries. Each artist used an image by Robert French (1841-1917), The Square, Parsonstown…

KSO This Week: ‘Pines of Rome’, William Shaub in Samuel Barber’s Violin Concerto

Knoxville Symphony Orchestra Masterworks Series: William Shaub and the Pines of Rome Maurice Ravel: La Valse Samuel Barber: Violin Concerto Carlos Simon: The Block Ottorino Respighi: Pines Of Rome Tennessee Theatre, 604 S. Gay Street Thursday and Friday, January 20,…

The Most Popular Arts Knoxville Stories of 2021

As we keep repeating as if it wasn’t obvious, 2021 has been a year like no other. Arts organization have had to reexamine their priorities and deal with new issues, like performer and audience safety, ticketing, and live-streaming. Those of…

Most Memorable Music Performances of 2021

BY ALAN SHERROD   Last year—2020—will forever bear an asterisk in the history books to indicate that we had foregone normal life for reasons of safety and recovery from the Covid-19 pandemic. Arts Knoxville’s own yearly “Most Memorable” list of…

Clarence Brown Theatre Adds Seats To Sold-Out Run Of ‘A Christmas Carol’

Clarence Brown Theatre had played it safe in selling seats for its new production of ‘A Christmas Carol’, building in social-distancing to the seat allocation for each performance. Effective immediately, however, CBT has made some re-calculations and have freed up…

Tuesday Arts Miscellany: December Happenings

Big Ears — Julian Lage Squint, we are told, is Julian Lage‘s debut album for Blue Note Records, “…a striking new album that weds incisive, expressive songwriting with the profound interplay Lage has honed over the past few years…” Presented…

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