BY ALAN SHERROD For an audience, a theatrical production is a snapshot in time, its effect influenced in both large and small degrees by the current environment of society and culture. Had the Clarence Brown Theatre produced The Curious…
Review: CBT’s ‘Hamlet’ in Carousel Theatre
BY ALAN SHERROD I t has been more than 80 years since Orson Welles and the Mercury Theatre changed a lot of theatrical thinking with their production of Shakespeare’s Julius Caesar, a staging that used a contemporary milieu and…
Review: CBT’s ‘King Charles III’ – A Possible Future Chases the Past
By Alan Sherrod It should come as no surprise that a somewhat heated controversy arose in the U.K. over Mike Bartlett’s 2014 play, King Charles III, a dramatic projection of the accession to the throne of Prince Charles following…
Review: CBT’s ‘the strangers’
As way of preface, the strangers was commissioned by the Clarence Brown Theatre from playwright Christopher Oscar Peña for performance by eight of the UT Department of Theatre MFA acting candidates. The work was developed over a two year period…
Review: CBT’s ‘The Busy Body’- Clever, Intelligent, and Entertaining
By 1709, the year that Susanna Centlivre’s The Busy Body had its premiere and run of 13 performances, the fortunes of Restoration comedy had come, gone, and come again. The audience interest in comedic salaciousness and sexual intrigue that typified the…
CBT’s ‘The Busy Body’ – The Force of Necessity
Not entirely by accident, I recently stumbled upon an 1808 printing of Susanna Centlivre’s The Busy Body (1709) in a volume drawn from productions of that play by the Drury Lane and Covent Garden Theatres. The printing, coming roughly 100 years after the play was first produced in 1709, drew me in with scholarly fascination.
Review: UT Opera Theatre, World Premiere of Larry Delinger’s ‘Medea’
Steve Smith, music writer and currently the Assistant Arts Editor at the Boston Globe, wrote in the New York Times in 2011: “New York is unquestionably an international capital of the arts, but it can also be a frustrating backwater…
UT Opera Theatre Offers ‘Medea’ This Weekend
The University of Tennessee Opera Theatre presents the world premiere of Larry Delinger’s Medea this weekend in four performances at the Relix Variety Theatre. Delinger’s Medea features a libretto by Douglas Langworthy, who translated and adapted the classic story from…