Without doubt, the very things that make Mozart’s The Magic Flute (Die Zauberflöte) compelling theatre are also the things that can become mind-boggling difficulties in modern productions. Its allegorical themes of enlightenment vs. ignorance, and the basic good vs. evil…
Review: UT Opera Theatre, World Premiere of Larry Delinger’s ‘Medea’
Steve Smith, music writer and currently the Assistant Arts Editor at the Boston Globe, wrote in the New York Times in 2011: “New York is unquestionably an international capital of the arts, but it can also be a frustrating backwater…