Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

UT Opera Theatre Update: Weather Forces ‘Die Fledermaus’ Inside This Weekend

If—as they say—”necessity is the mother of invention”, the term could have been created for UT Opera Theatre. First, a scheduling conflict preventing them from performing in their usual venue, the Bijou Theatre downtown, had them planning instead on the…

Review in Brief: KSO’s 2022 Concertmaster Series Wraps with Splendid Schumann Quintet

BY ALAN SHERROD   Since its inception, the joy of the Knoxville Symphony Orchestra’s Concertmaster Series has actually been its crescendo of dual attractions—shorter, intriguing works, often virtuosic, that may be new to the audience or works you probably won’t…

Wednesday Arts Miscellany: Life After Big Ears

There is an ineffable effect of Big Ears that sneaks into one’s cultural soul and changes how the world is viewed. Suddenly, new angles appear, colors are more saturated and grays more varied. Geometric patterns appear in building facades and…

Review: CBT’s ‘She Kills Monsters’ – An Enchanting Finale for Carousel Theatre

BY ALAN SHERROD   Theatre-goers have probably all heard the news—the University of Tennessee Department of Theatre and the Clarence Brown Theatre will be saying goodbye to the current incarnation of the Carousel Theatre following its current production of She…

Review: ‘Loot’ at Flying Anvil Theatre

BY ALAN SHERROD   For the first two decades of its existence since its initial production in 1965, Joe Orton’s Loot continued to shock audiences with its satiric irreverence toward civic authority, middle-class propriety, the church, the police, and the…

Review: KSO Honors Ukraine’s Struggle; Brilliant in Tchaikovsky and Brahms

BY ALAN SHERROD   Orchestra programming and guest artist booking by symphony orchestras are done a year or more in advance, so it hardly seems fair to dwell on unfortunate coincidences that somehow manage to sneak their way onto an…

Lorelei Ensemble’s ‘This Tyrant, Love’ Comes to Church of the Ascension on March 25

Lorelei Ensemble is a nine-member vocal ensemble that has become known for its inventive programs and its collaborations with noted music organizations and a host of today’s leading composers. Founded in Boston in 2007 and led by artistic director Beth…

Tuesday Arts Miscellany: Harlem String Quartet, Flying Anvil Theatre, More Free Events at Big Ears

UTKSOM: Ready for the World Music Series The UT School of Music’s Ready for the World Music Series will be back to live performances this Sunday in a program that features the Grammy-winning Harlem String Quartet. The program will offer works…

KSO This Week: Connecting Brahms, Tchaikovsky, and Ethel Smyth

Knoxville Symphony Orchestra Masterworks Series Aram Demirjian, conductor— Guest artist Tanya Gabrielian Tennessee Theatre, 604 S. Gay Street Thursday and Friday, March 17 and 18, 7:30 PM Tickets and Information Dame Ethel Smyth: The Boatswain’s Mate: Overture Pyotr Tchaikovsky: Piano…

Big Ears Festival Announces Free Concerts — And A Parade

It probably came as no surprise to many when the Big Ears Festival 2022 announced that it had reached a SOLD OUT status on all passes for the four day Festival March 24-27. After all, the scourge of Covid had…

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