Alan Sherrod
754 Articles9 Comments

Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

This Sunday: KSO Takes An Italian Voyage with Mendelssohn, Rossini, and Vivaldi

On this Sunday’s KSO Chamber Classics Series concert at the Bijou, guest conductor Michelle di Russo leads the Knoxville Symphony Chamber Orchestra in works by Mendelssohn, Rossini, Vivaldi, and Romero. KSO cellists Adam Ayers and Sarah Senn will be soloists in Vivaldi’s Concerto for Two Cellos.

On Sunday: Amadeus Chamber Ensemble Goes Mining for “French Opera Jewels”

The magic of the 19th Century French Grand Opera is the intriguing subject of the next free concert by the Amadeus Chamber Ensemble as a part of the Cathedral Concert Series on Sunday, March 3.

Review: KSO and Violinist Geneva Lewis Present a Detailed and Subtle Beethoven

There are some concert program combinations that are simply too intriguing to pass up, for any number of reasons. Maestro Aram Demirjian and the Knoxville Symphony Orchestra unlocked one of those combinations this past weekend, cutting an enjoyable swath through music history from early Romanticism through turn-of-the-century Impressionism, then finally introducing a compelling new work by a living American composer.

Review: CBT’s ‘The Giver’ – Warning of a Dystopian World and a Ray of Hope

The current Clarence Brown Theatre production of ‘The Giver’ which opened last week, is a stage adaptation by Eric Coble that was commissioned and premiered by the Oregon Children’s Theatre in 2006. 

Review: Knoxville Opera’s ‘La Traviata’

BY ALAN SHERROD   Whether drawn by the popular classic tale of doomed love, by the score that is inescapably evocative, or merely by the opportunity for a romantic date night out, the audience for Knoxville Opera and its production…

This Week: Knoxville Opera Returns To Verdi’s ‘La Traviata’

Knoxville Opera returns this weekend to the very popular ‘La Traviata’ by Giuseppe Verdi with two performances at the Tennessee Theatre on Friday evening and Sunday afternoon.

Review: River & Rail’s ‘Fat Ham’ — A Feast of Theatre

‘Fat Ham’, winner of the Pulitzer Prize for Drama in 2022, is loosely based on Shakespeare’s ‘Hamlet.’ Although the main characters have parallels in both and the conflict of father versus son is the common underpinning, Ijames takes the inevitability of family and societal violence on a different sort of journey in a different sort of vehicle.

Preview: River & Rail’s ‘Fat Ham’ Channels the Bard

One of the many reasons that Shakespeare’s plays are still with us both as literature and dramatic production is that they carry universal themes that seem to exist happily outside of their original context. That is the case with River…

Review: KSO Concertmaster Series Looks at the Legacy of Violinist Jascha Heifetz

In the second Concertmaster Series outing of the 2023-24 season at the Knoxville Museum of Art, Knoxville Symphony Orchestra Concertmaster William Shaub and his KSO colleagues chose to make the legendary violinist Jascha Heifetz the connecting force for their recital.

Review: KSO’s Present and Future Meet in a Celebration of Musicianship and the Mahler Fourth

The title given to this weekend’s Knoxville Symphony Orchestra concerts was “The Heavenly Life: Mahler Symphony No. 4.” A less poetic, but perhaps equally accurate title might have been “Musicianship: Now and in the Future.”

Arts Knoxville Article Archive
Stay Up To Date On Arts Knoxville

Enter your email address to receive notifications of new articles by email.