By Alan Sherrod If you have attended any of Marble City Opera’s previous productions, you undoubtedly know that the company lives for performances in unusual and intriguing spaces that immerse the audience in an alternative music-theatre experience. Along the…
Review: Knoxville Opera’s Comedy Double Bill Exudes Cleverness and Charm
By Alan Sherrod While the overwhelming bulk of the operatic repertoire is devoted to tragic heroes, heroines, and villains, Knoxville Opera took a comic detour Friday evening in its season-opener, leaving no comedy stone unturned in its performance of…
Review: Violinist Bollinger Awes Audience In Tchaikovsky as KSO Triumphs in Shostakovich Fifth
By Alan Sherrod If there was ever a concerto that could send its audience into ecstasy with the conclusion of the first movement, it is certainly the Tchaikovsky Violin Concerto. Its extended rousing coda works its familiar magic on…
Sunday at UT Music: Scandinavia, UT Symphony, and Class
Sunday, October 21, is a busy day for UT School of Music performances.
At 1:00 PM: faculty/guest artist recital featuring hornist Katie Johnson-Webb and pianist Kirstin Ihde
At 4:00 PM: UT Symphony Orchestra
At 8:00 PM: Recital by UT faculty pianist Kevin Class
Preview: Knoxville Opera’s Comedy Double Bill — Mozart’s ‘The Impresario’ and Puccini’s ‘Gianni Schicchi’
By Alan Sherrod There are a lot of myths surrounding the life of Wolfgang Amadeus Mozart, but one thing that we know for certain is that he absolutely loved a good joke—particularly if it ridiculed or parodied those in…
Review: ‘Becky Shaw’ – A Tidal Pool of Shifting Relationships
By Alan Sherrod A good piece of theatre always keeps its audience guessing, a bit off balance as it were, exploring a narrative hallway of doors left there by the playwright. Becky Shaw, a 2008 comedy by Gina Gionfriddo…
New Faces in the KSO – 2018 Edition
Symphony orchestras, by their very definition, work as an ensemble, sometimes making it easy to forget that the ensemble is a collection of individuals. And, those are individuals who have devoted years to honing their talents through training and education.
The Knoxville Symphony Orchestra has seen some changes in it’s individuals for the 2018–19 season. Here are the new faces in the orchestra.
Review: KSO Chamber Orchestra Goes for a French Connection
By Alan Sherrod You didn’t have to be a music history nerd to enjoy yesterday’s Knoxville Symphony Orchestra Chamber Classics concert “A Touch of France”. But if you did self-identify that way, you were probably in a state of…
Review: CBT’s ‘Alias Grace’ – A Compelling and Timely Mix of Answers and Questions
By Alan Sherrod It is a bit unfortunate that it takes TV adaptations of literary works to drive mainstream cultural recognition, but apparently that’s the world we live in. As a result, one would be hard pressed to be…