Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

This Weekend: Marble City Opera’s ‘Nero Monologues’ at Candoro Marble

By Alan Sherrod   If you have attended any of Marble City Opera’s previous productions, you undoubtedly know that the company lives for performances in unusual and intriguing spaces that immerse the audience in an alternative music-theatre experience. Along the…

Review: Knoxville Opera’s Comedy Double Bill Exudes Cleverness and Charm

By Alan Sherrod   While the overwhelming bulk of the operatic repertoire is devoted to tragic heroes, heroines, and villains, Knoxville Opera took a comic detour Friday evening in its season-opener, leaving no comedy stone unturned in its performance of…

Review: Violinist Bollinger Awes Audience In Tchaikovsky as KSO Triumphs in Shostakovich Fifth

By Alan Sherrod   If there was ever a concerto that could send its audience into ecstasy with the conclusion of the first movement, it is certainly the Tchaikovsky Violin Concerto. Its extended rousing coda works its familiar magic on…

Sunday at UT Music: Scandinavia, UT Symphony, and Class

Sunday, October 21, is a busy day for UT School of Music performances.
At 1:00 PM: faculty/guest artist recital featuring hornist Katie Johnson-Webb and pianist Kirstin Ihde
At 4:00 PM: UT Symphony Orchestra
At 8:00 PM: Recital by UT faculty pianist Kevin Class

Preview: Knoxville Opera’s Comedy Double Bill — Mozart’s ‘The Impresario’ and Puccini’s ‘Gianni Schicchi’

By Alan Sherrod   There are a lot of myths surrounding the life of Wolfgang Amadeus Mozart, but one thing that we know for certain is that he absolutely loved a good joke—particularly if it ridiculed or parodied those in…

Review: ‘Becky Shaw’ – A Tidal Pool of Shifting Relationships

By Alan Sherrod   A good piece of theatre always keeps its audience guessing, a bit off balance as it were, exploring a narrative hallway of doors left there by the playwright. Becky Shaw, a 2008 comedy by Gina Gionfriddo…

New Faces in the KSO – 2018 Edition

Symphony orchestras, by their very definition, work as an ensemble, sometimes making it easy to forget that the ensemble is a collection of individuals. And, those are individuals who have devoted years to honing their talents through training and education.

The Knoxville Symphony Orchestra has seen some changes in it’s individuals for the 2018–19 season. Here are the new faces in the orchestra.

Review: A Search for Identities in Flying Anvil Theatre’s ‘Hir’

By Alan Sherrod   As the lights come up on Taylor Mac’s Hir, which opened last Friday at Flying Anvil Theatre, the audience may believe for an instant that it has stumbled onto a contemporary update of the typical dysfunctional…

Review: KSO Chamber Orchestra Goes for a French Connection

By Alan Sherrod   You didn’t have to be a music history nerd to enjoy yesterday’s Knoxville Symphony Orchestra Chamber Classics concert “A Touch of France”. But if you did self-identify that way, you were probably in a state of…

Review: CBT’s ‘Alias Grace’ – A Compelling and Timely Mix of Answers and Questions

By Alan Sherrod   It is a bit unfortunate that it takes TV adaptations of literary works to drive mainstream cultural recognition, but apparently that’s the world we live in. As a result, one would be hard pressed to be…

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