Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

Review: A Different Sort of Holmes and Watson in ‘Sherlock’s Last Case’ at Theatre Knoxville Downtown

Theatre Knoxville Downtown presents ‘Sherlock’s Last Case’ by Charles Marowitz

Previewing Knoxville Opera’s ‘Aida’: Soprano Michelle Johnson

In almost every decade, it seems, music writers love to dig up an age-old question: “where are the great Verdi sopranos?”

Review: Clarence Brown Theatre’s ‘Urinetown, the Musical’

One good rule of theatre: seize comic irony when it falls in your lap. As the audience arrived for the opening night of the Clarence Brown Theatre’s production of Urinetown, the Musical, they had to pass by the theatre’s new…

Review: UT Opera Theatre Makes Gender Equality a Compelling Subject in ‘Middlemarch in Spring’

It was probably just coincidence that the University of Tennessee Opera Theatre chose the 2015 chamber opera Middlemarch in Spring for its April opera production precisely at a time when the issues surrounding gender equality in society have finally come…

Review: Pianist Fei-Fei Dong and Conductor Edwin Outwater Join KSO for a Splendid Mozart Piano Concerto No. 20

With Maestro Aram Demirjian away for the week in Boston conducting the New England Conservatory Symphony, the Knoxville Symphony Orchestra found itself once again with the Mozart concerto on the bill—and a guest conductor on the podium. This week’s Masterworks conducting duties fell to guest maestro Edwin Outwater in a program that also included Schumann’s Symphony No. 2 and contemporary composer Missy Mazzoli’s ‘Violent, Violent Sea’.

Saturday: Knoxville Opera’s Rossini Festival

Time flies, it seems. That’s the only reasonable explanation for the fact that Knoxville Opera’s Rossini Festival is now in its 17th year as Knoxville’s preeminent street fair event. This year’s version of the free annual event is Saturday, April…

KSO This Week: Pianist Fei-Fei Dong and Conductor Edwin Outwater in Mozart and Schumann

Knoxville Symphony Orchestra Masterworks Missy Mazzoli: Violent, Violent Sea Mozart: Piano Concerto No. 20 in D minor, K. 466 (Fei-Fei Dong, pianist) Robert Schumann: Symphony No. 2 in C Major, Op. 61 Guest conductor: Edwin Outwater Tennessee Theatre, 604 S.…

UT Opera Offers ‘Middlemarch in Spring’ April 13-15 at the Bijou

The University of Tennessee Opera Theatre is taking a break this spring from the staples of the 18th and 19th Century repertoire and is instead exploring the joys and adventure of a contemporary chamber opera based on well known 19th Century literature. Their choice is an interesting one: ‘Middlemarch in Spring’, a recent work based on the George Eliot novel ‘Middlemarch’, with music by Allen Shearer and a libretto by Claudia Stevens.

UT’s ‘Writers in the Library’ Presents Kevin Young and Brenda Hillman

The University of Tennessee’s Writers in the Library reading series wraps up its Spring with poets Kevin Young and Brenda Hillman on April 12 and April 16, respectively. Both readings begins at 7 p.m. in the Lindsay Young Auditorium of the John C. Hodges Library and are free and open to the public.

Review: CBT’s ‘The Dream of the Burning Boy’

Our perception of David West Read’s play, The Dream of the Burning Boy, in current production at Clarence Brown Theatre’s Lab Theatre, might have been quite different without the tragic mass shooting at Marjory Stoneman Douglas High School in Parkland,…

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