Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

Marble City Opera’s ‘La Femme Bohème’ Opens This Saturday

Since its birth in May of 2013, Marble City Opera has been at the cutting edge of Knoxville’s music performance scene. Their inaugural performance, The Face on the Barroom Floor, set the tone for what we have come to expect from an innovative…

KSO This Week: Tchaikovsky Symphony #4, Shostakovich, Berlioz

Knoxville Symphony Orchestra Masterworks Lawrence Loh, guest conductor Berlioz: Roman Carnival Overture, Opus 9 Shostakovich: Concerto No. 1 for Cello and Orchestra in E-flat Major (Julie Albers, cello) Tchaikovsky: Symphony No. 4 in F minor, Opus 36 Thursday and Friday, January 22-23,…

Review: KSO Concertmaster Series Shows Off Its New Friends

This week’s installment of the KSO’s Concertmaster Series of chamber music—Gabriel Lefkowitz and Friends—showed off just how important friends are, both onstage and in the audience. One of the works programmed offered the largest ensemble yet for the series—the “Winter” concerto…

Review: KSO’s ‘Orchestra Soloists’ a Delight

Principal bassoon Aaron Apaza and principal trumpet Phillip Chase Hawkins have both been with the Knoxville Symphony Orchestra for only a couple of seasons, but their presence and effect on the ensemble have already been indisputably positive. On the Sunday…

On Sunday: KSO Performs Strauss’ ‘Le Bourgeois Gentilhomme’

Knoxville Symphony Chamber Orchestra–‘Orchestra Soloists’ Stamitz/Holzbogen: Trumpet Concerto in D Mozart: Bassoon Concerto R. Strauss: Le Bourgeois Gentilhomme Sunday, Jan. 11, 2015, 2:30 p.m. Bijou Theatre Tickets start at $15 (Continued from yesterday’s article) Composer Richard Strauss and librettist Hugo von…

On Sunday: KSO Chamber Orchestra Features ‘Orchestra Soloists’

KSO Chamber Classics: Orchestra Soloists Lucas Richman, conductor; Phillip Chase Hawkins, trumpet; Aaron Apaza, bassoon Sunday, January 11, 2015—2:30 p.m. Bijou Theatre, Downtown Knoxville No detective work is required to figure out that 2015 is going to be a year…

Three Winners Emerge in 2015 Middle/East Tennessee District Met Auditions

Three winners were selected in the Metropolitan Opera National Council Auditions for the Middle/East Tennessee District last Saturday (January 3, 2015) held in the Sandra G. Powell Recital Hall at the University of Tennessee School of Music. Tenor Todd Barnhill…

Dreaming of Snow?

Dreaming of a white Christmas is apt to be just that these days—dreaming. But since we are dreaming, what better time to take a look at some artists that spent time painting snow. One of my favorites has always been…

Most Memorable Classical Music Performances of 2014

All in all, 2014 was pretty much a good year in terms of classical music performances in Knoxville—unless you happened to be a certain classical music writer. Despite the local newspaper coverage turmoil in the final quarter of the year, life went…

A New Weekly For Knoxville: ‘The Knoxville Mercury’

The demise of the newsweekly Metro Pulse at the hands of its parent company, E.W. Scripps, two months ago, was painful for both its staff and its Knoxville readership. For many—and there is actual evidence to support this—Metro Pulse was the…

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