Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

Two New Exhibitions Open at the Knoxville Museum of Art

Two new exhibitions open at the Knoxville Museum of Art on Friday, January 30, and both run through April 19. Contemporary Focus is an annual exhibition series that features regional artists whose appeal reaches far beyond the region. This year’s exhibition consists of…

Review: Fabulous Vocal Performances in Marble City Opera’s ‘La Femme Bohème’

Marble City Opera’s latest production, La Femme Bohème, opened this past weekend at the Old City’s NV Nightclub in its continuing survey of refreshing out-of-the-ordinary venues — and with its continuing penchant for fabulous, knock-your-socks-off vocal performances. [It continues on Saturday this…

Review: Guest Conductor Lawrence Loh and the KSO Sculpt A Dynamic Masterpiece

There was a time—only a few years ago—that the booking and announcement of a guest conductor for a Knoxville Symphony Orchestra concert engendered in me a gnawing feeling of dread and trepidation. Thankfully, those days seem to be over as…

Saturday: Knoxville Opera Goes To Church

One of the more uplifting blendings of musical genres one is apt to ever encounter in Knoxville, or anywhere, is Knoxville Opera Goes To Church, A Celebration of Talent — a program that skillfully combines gospel music, spirituals, and opera on one…

Pianist Ching-Yun Hu Opens 2015 YPS on Sunday

For their 35th season, the Evelyn Miller Young Pianist Series has finally returned to Knoxville. The Knoxville pianist and teacher, Evelyn Miller, began the series in 1980 as a way to showcase under-35 year old pianists who are at the…

Marble City Opera’s ‘La Femme Bohème’ Opens This Saturday

Since its birth in May of 2013, Marble City Opera has been at the cutting edge of Knoxville’s music performance scene. Their inaugural performance, The Face on the Barroom Floor, set the tone for what we have come to expect from an innovative…

KSO This Week: Tchaikovsky Symphony #4, Shostakovich, Berlioz

Knoxville Symphony Orchestra Masterworks Lawrence Loh, guest conductor Berlioz: Roman Carnival Overture, Opus 9 Shostakovich: Concerto No. 1 for Cello and Orchestra in E-flat Major (Julie Albers, cello) Tchaikovsky: Symphony No. 4 in F minor, Opus 36 Thursday and Friday, January 22-23,…

Review: KSO Concertmaster Series Shows Off Its New Friends

This week’s installment of the KSO’s Concertmaster Series of chamber music—Gabriel Lefkowitz and Friends—showed off just how important friends are, both onstage and in the audience. One of the works programmed offered the largest ensemble yet for the series—the “Winter” concerto…

Review: KSO’s ‘Orchestra Soloists’ a Delight

Principal bassoon Aaron Apaza and principal trumpet Phillip Chase Hawkins have both been with the Knoxville Symphony Orchestra for only a couple of seasons, but their presence and effect on the ensemble have already been indisputably positive. On the Sunday…

On Sunday: KSO Performs Strauss’ ‘Le Bourgeois Gentilhomme’

Knoxville Symphony Chamber Orchestra–‘Orchestra Soloists’ Stamitz/Holzbogen: Trumpet Concerto in D Mozart: Bassoon Concerto R. Strauss: Le Bourgeois Gentilhomme Sunday, Jan. 11, 2015, 2:30 p.m. Bijou Theatre Tickets start at $15 (Continued from yesterday’s article) Composer Richard Strauss and librettist Hugo von…

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