Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

KSO This Week: “Beethoven and The Rite of Spring”

Knoxville Symphony Orchestra — “Beethoven and The Rite of Spring” Conductor: Aram Demirjian    • Lili Boulanger: Of A Spring Morning    • Tan Dun: Passacaglia: Secret Of Wind And Birds    • Ludwig Van Beethoven: Piano Concerto No. 4 —…

Review: KSO Wraps 2022-23 Chamber Classics With Double Oboe Concertos and a Fabulous Beethoven Eighth

BY ALAN SHERROD   Is it possible that the Knoxville Symphony Orchestra saved the best for its last Chamber Classics Series concert of the 2022-23 season? Clearly, Sunday afternoon’s musical outing was one that not only looked intriguing on paper,…

This Week: The Lusty Month of May Begins with KSO, UTSO, KJO, Jazz Tuesdays, et al.

The lusty month of May has arrived, although the “gusty” month of May is probably more accurate.  Whether May is a cause for excitement or not depends on one’s awareness that the 2022-23 season is now beginning to wind down…

Review: Knoxville Opera Triumphs With ‘The Marriage of Figaro’

BY ALAN SHERROD   Knoxville Opera began its life at the Bijou Theatre in 1978 as the Knoxville Civic Opera. Returning to its birthplace this weekend, the company triumphed there to wrap up its 2022-23 season with a production of…

Review: UT Opera Theatre’s ‘Hänsel und Gretel’

BY ALAN SHERROD   It felt like it had been forever since the University of Tennessee Opera Theatre had trod the boards at the Bijou Theatre—but the company was back last weekend with a production of Engelbert Humperdinck’s Hänsel und…

Review: Clarence Brown Theatre’s ‘Hair’

BY ALAN SHERROD   Hair, the rock musical that opened off-Broadway in 1967 and had a substantial Broadway run of four years, practically defined a generational era in American cultural history, not just with its statements of love, peace, and…

Review: A Powerful Mozart ‘Requiem’ from Knoxville Symphony and Knoxville Choral Society

BY ALAN SHERROD   Any discussion of past or present requiems inevitably begins with Wolfgang Amadeus Mozart’s 1791 Requiem, a work that has found itself the subject of myth and speculation, largely due to the fact that the composer died…

This Weekend: Entertainment Choices—and decisions—Abound

This week/weekend will be one of those that offers something for every one with an arts and/or music interest. Unfortunately, you may find yourself confronted with some painful choices and inescapable conflicts. Here is our rundown of events you may…

Review: William Shaub and Friends Make Sense of Beethoven’s Final String Quartet

BY ALAN SHERROD   The Knoxville Symphony Orchestra’s Concertmaster Series with William Shaub has one more performance of “The Late Genius: Beethoven’s Final Days”, Thursday evening, April 6, at 7:00, at the Knoxville Museum of Art. Tickets and Information  …

Review: Big Ears Magic-Shara Nova and the Knoxville Symphony in ‘The Blue Hour’

BY ALAN SHERROD   As the 2023 Big Ears Festival was winding down on Sunday evening, a couple of performances by the Knoxville Symphony Orchestra remained: violinist Tessa Lark performing Michael Schachter’s Violin Concerto: Cycle of Life, followed by vocalist…

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