There’s a lot of audience talk going around these days regarding the rapid ascent of…
Music
“If you don’t know what to do, there’s actually a chance of doing something new.”
― Philip Glass, Words Without Music: A Memoir
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Review: KSO’s ‘Red, Hot, & Bolero’ – A Feast for the Eyes and Ears
Every symphony concert is like a bubbling cauldron of ingredients, a mixture of music, performers,…
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New Faces in the KSO — 2017 Edition
There was a time when American symphony orchestras had the reputation for stubbornly resisting change,…
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Review – Marble City Opera Explores Human Communication in ‘The Telephone’ and ‘The Human Voice’
Human communication via the telephone—both the attempt and the psychological result—was the broad premise of…
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KSO and CBT To Team Up Again in 2018 With Bernstein’s ‘Candide’
(Above: CBT Artistic Director Calvin MacLean and KSO Music Director Aram Demirjian) Artistic collaborations may…
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Preview – Marble City Opera Presents Menotti’s ‘The Telephone’ and Poulenc’s ‘The Human Voice’
Marble City Opera presents Menotti’s The Telephone and Poulenc’s The Human Voice Friday and Saturday,…
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William Shaub Takes the Reins of the KSO’s Concertmaster Series
Most regular concertgoers have, at least, a vague idea of the role of an orchestra’s…
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Preview of Sunday’s Chamber Classics – KSO Chamber Orchestra Takes On ‘Frankenstein!!’
Knoxville Symphony Chamber Orchestra: Frankenstein!! Aram Demirjian, conductor Haydn: Symphony No. 60 Prokofiev: Symphony No.…