By Alan Sherrod I strongly insist on telling myself that the state of dramatic…
Theatre
“What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come … ”
― Samuel Beckett, Waiting for Godot
Review: Southern Gothic Meets Comedy in Flying Anvil Theatre’s ‘Crimes of the Heart’
By Alan Sherrod The tradition of Southern Gothic literature from Faulkner, O’Connor, Cormac McCarthy,…
Review: The Cast of CBT’s ‘Detroit ’67’ Finds Treasure in the Basement
By Alan Sherrod Detroit in the incendiary “long, hot summer of 1967” is the…
Review: CBT’s ‘King Charles III’ – A Possible Future Chases the Past
By Alan Sherrod It should come as no surprise that a somewhat heated controversy…
Review: Performance Treasures Mark Flying Anvil Theatre’s ‘Dog Act’
By Alan Sherrod It is tempting to describe Liz Duffy Adams’ comedy, Dog Act,…
Theatre Knoxville Downtown Begins Its Second Act And Revives a Lonely Corner
By Alan Sherrod Urban renewal—if one can still use that term today with a…
Top Ten Most Read Arts Knoxville Stories of 2018
By Alan Sherrod Over the last week, we’ve taken a look back at 2018…
Review: Clarence Brown Theatre’s ‘A Christmas Carol’ – The Tradition Continues
By Alan Sherrod In Charles Dickens’ A Christmas Carol, it is Christmas Eve and…
Review: CBT’s ‘Santaland Diaries’ – A Delicious Clash of Holiday Comedy and Reality
By Alan Sherrod Two Christmas seasons working as an elf in Macy’s flagship store…
This Weekend: Marble City Opera’s ‘Nero Monologues’ at Candoro Marble
By Alan Sherrod If you have attended any of Marble City Opera’s previous productions,…
