By Alan Sherrod If you like your theatrical dramas with a bit of intriguing…
Theatre
“What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come … ”
― Samuel Beckett, Waiting for Godot
Review: CBT’s Whimsical and Poetic ‘The Madwoman of Chaillot’ Reveals the Truth About Evil
By Alan Sherrod Ending the season with a large and colorful bang has generally…
Review: Nora – And An Intriguing Debate – Returns in ‘A Doll’s House, Part 2’
By Alan Sherrod As the lights come up on Lucas Hnath’s A Doll’s House,…
Review: Theatre Knoxville Downtown Opens In New Digs With ‘One Slight Hitch’
By Alan Sherrod It wasn’t “just another op’nin’ of another show” for Theatre Knoxville…
Review: Theatre Critics Skewered With Relish in CBT’s ‘The Real Inspector Hound’
By Alan Sherrod I strongly insist on telling myself that the state of dramatic…
Review: Southern Gothic Meets Comedy in Flying Anvil Theatre’s ‘Crimes of the Heart’
By Alan Sherrod The tradition of Southern Gothic literature from Faulkner, O’Connor, Cormac McCarthy,…
Review: The Cast of CBT’s ‘Detroit ’67’ Finds Treasure in the Basement
By Alan Sherrod Detroit in the incendiary “long, hot summer of 1967” is the…
Review: CBT’s ‘King Charles III’ – A Possible Future Chases the Past
By Alan Sherrod It should come as no surprise that a somewhat heated controversy…
Review: Performance Treasures Mark Flying Anvil Theatre’s ‘Dog Act’
By Alan Sherrod It is tempting to describe Liz Duffy Adams’ comedy, Dog Act,…
Theatre Knoxville Downtown Begins Its Second Act And Revives a Lonely Corner
By Alan Sherrod Urban renewal—if one can still use that term today with a…
