By Alan Sherrod Over the last week, we’ve taken a look back at 2018…
Theatre
“What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come … ”
― Samuel Beckett, Waiting for Godot
Review: Clarence Brown Theatre’s ‘A Christmas Carol’ – The Tradition Continues
By Alan Sherrod In Charles Dickens’ A Christmas Carol, it is Christmas Eve and…
Review: CBT’s ‘Santaland Diaries’ – A Delicious Clash of Holiday Comedy and Reality
By Alan Sherrod Two Christmas seasons working as an elf in Macy’s flagship store…
This Weekend: Marble City Opera’s ‘Nero Monologues’ at Candoro Marble
By Alan Sherrod If you have attended any of Marble City Opera’s previous productions,…
Review: ‘Becky Shaw’ – A Tidal Pool of Shifting Relationships
By Alan Sherrod A good piece of theatre always keeps its audience guessing, a…
Review: A Search for Identities in Flying Anvil Theatre’s ‘Hir’
By Alan Sherrod As the lights come up on Taylor Mac’s Hir, which opened…
Review: CBT’s ‘Alias Grace’ – A Compelling and Timely Mix of Answers and Questions
By Alan Sherrod It is a bit unfortunate that it takes TV adaptations of…
Monday Arts Miscellany – September 10
A few things to plan on this week— • The Carpetbag Theatre presents Ce Nitram Sacul…
Review: Hammer Ensemble’s ‘Lockdown’ – Gun Violence as a Symptom of Cultural Division
By Alan Sherrod At the beginning of the Hammer Ensemble’s Lockdown at the Flying…
Review: CBT/KSO’s ‘Candide’ – The Best of Dazzling Possibilities
By Alan Sherrod For the last year or so, productions of Leonard Bernstein’s comic…
