Our perception of David West Read’s play, The Dream of the Burning Boy, in current…
Theatre
“What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come … ”
― Samuel Beckett, Waiting for Godot
Review: Knoxville Theatre Club’s ‘The Story Story’
Knoxville Theatre Club’s current production is titled The Story Story and uses as its advertised…
Yikes! Performance Choices Galore on Sunday March 4th
There was a time when one could just hang out and relax on Sundays without…
Review: CBT’s ‘the strangers’
As way of preface, the strangers was commissioned by the Clarence Brown Theatre from playwright…
Review: Spectacle Abounds in Knoxville Opera’s ‘Turandot’
It was inevitable that Knoxville Opera would eventually come around again to Giacomo Puccini’s final…
Othalie Graham and Jonathan Burton Together Again for Knoxville Opera’s ‘Turandot’
It is a fact that opera need not be produced at the highest and loftiest levels of expense in order to be artistically interesting and successful. This claim has certainly been validated by opera companies like Knoxville Opera and others that operate in the environment of medium-size cities or regional entities.
Review: Clarence Brown Theatre’s ‘Alabama Story’
There is considerable humor, quaintness, and charm in Kenneth Jones’ play, ‘Alabama Story’, and in its current production, directed by Kate Buckley, at the Clarence Brown Theatre, in the play’s southeastern U.S. premiere.
Preview: ‘Alabama Story’ at CBT – A Play About Books, Censorship, and the American Condition
It would probably have been easy to thumb past the obituary of Emily Wheelock Reed…
Review: ‘Mary’s Wedding’ – A Dream of Romance and War
A dream forms the structure of Stephen Massicotte’s play, Mary’s Wedding, which opened last weekend…
The Hammer Ensemble Launches With ‘The Pall: In the Shadows of Human Trafficking’
“Art is not a mirror held up to reality but a hammer with which to…
