My review of Knoxville Opera’s production of Il Trovatore is now online at the Knoxville…
Theatre
“What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come … ”
― Samuel Beckett, Waiting for Godot
In the Knoxville Mercury: So much to read, so little time…
Be sure to pick up a copy of the Knoxville Mercury this week—there are reviews…
This Week from Knoxville Opera: Verdi’s ‘Il Trovatore’ and the 2015 Rossini Festival
Knoxville’s spring festival season is in full swing and this weekend brings Knoxville Opera’s Rossini…
Review: Magically Delicious–UT Opera Theatre Charms with Mozart’s ‘The Magic Flute’
Without doubt, the very things that make Mozart’s The Magic Flute (Die Zauberflöte) compelling theatre…
This Weekend: UT Opera Theatre’s ‘The Magic Flute’
The University of Tennessee Opera Theatre is once again downtown at the Bijou Theatre, this…
‘A Shayna Maidel’ at CBT Lab Theatre 3/26-4/12
Barbara Lebow’s drama of a post-war family relationship following the Holocaust, A Shayna Maidel, runs in…
The Knoxville Mercury Launches
Knoxville’s new alt-weekly, the Knoxville Mercury, has finally arrived! You can find an issue in…
Knoxville Opera’s ‘Carmen’ This Weekend: Bass Ryan Kuster and his Escamillo
Do toreadors and opera singers have anything in common? Perhaps. Both require training to expand…
Depth Becomes Her in Knoxville Opera’s ‘Carmen’
Knoxville Opera’s production of Bizet’s Carmen Conductor and musical director: Brian Salesky; Stage director: Chuck…
Review: Fabulous Vocal Performances in Marble City Opera’s ‘La Femme Bohème’
Marble City Opera’s latest production, La Femme Bohème, opened this past weekend at the Old…
