Clarence Brown Theatre had played it safe in selling seats for its new production of…
Theatre
“What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come … ”
― Samuel Beckett, Waiting for Godot
Review: Clarence Brown Theatre Returns To Dickens In A New ‘A Christmas Carol’
BY ALAN SHERROD Although Charles Dickens’ novella A Christmas Carol was published to great…
Review: Flying Anvil Theatre’s ‘The Thanksgiving Play’
BY ALAN SHERROD If there is anything worse than the blind acceptance of false…
Review: River & Rail’s ‘Pass Over’ – Important Theatre, Compelling Performances
BY ALAN SHERROD There are so many compelling reasons to see Pass Over from…
Review: Flying Anvil Theatre’s ‘The Sunshine Boys’
BY ALAN SHERROD Like the old joke poses: What’s the secret to comedy? Timing.…
Review: ‘Venus in Fur’ At Flying Anvil Theatre
BY ALAN SHERROD Venus in Fur, playwright David Ives’ twist on Leopold Sacher-Masoch’s 1870…
Clarence Brown Theatre Returns To Live Performances With Its 2021-22 Season
For even casual observers, it has been obvious that live performance theatre—from Broadway to community…
It’s Live! Flying Anvil Theatre Announces New 2021 Season
Having limited itself to the struggle of “virtual” productions since the spring of 2020, the…
Clarence Brown Theatre Artistic Director Calvin MacLean Announces Retirement
The University of Tennessee Theatre Department and the Clarence Brown Theatre have announced that Theatre…
Virtual-ness: CBT Offers ‘The Open Hand … revisited’ — On-Demand
BY ALAN SHERROD When Rob Caisley’s The Open Hand ran at Clarence Brown Theatre’s…
