Knoxville Symphony Orchestra Masterworks Series: William Shaub and the Pines of Rome Maurice Ravel: La Valse Samuel Barber: Violin Concerto Carlos Simon: The Block Ottorino Respighi: Pines Of Rome Tennessee Theatre, 604 S. Gay Street Thursday and Friday, January 20,…
Tuesday Arts Miscellany: December Happenings
Big Ears — Julian Lage Squint, we are told, is Julian Lage‘s debut album for Blue Note Records, “…a striking new album that weds incisive, expressive songwriting with the profound interplay Lage has honed over the past few years…” Presented…
Review: KSO Is ‘Fantastique’; Violinist Paul Huang Exhilarates in Bruch
BY ALAN SHERROD If there was a word that combined “exhilaration” with “exuberance,” we would surely be using it today to describe the October installments of the Knoxville Symphony Orchestra Masterworks concerts this past Thursday and Friday evenings at…
KSO This Week: Berlioz’ ‘Symphonie Fantastique’ and Paul Huang in Bruch Violin Concerto
Knoxville Symphony Orchestra Masterworks “Symphonie Fantastique” Clarice Assad: Sin Fronteras (Without Borders) Max Bruch, Violin Concerto No. 1 in G minor (Paul Huang, violin) Hector Berlioz, Symphonie Fantastique Conductor: Aram Demirjian Tennessee Theatre, 604 S. Gay Street, Downtown Knoxville Thursday…
Review: KSO Opens 2021-22 Season With Sparkle and Substance
BY ALAN SHERROD A sensation almost dreamlike and otherworldly permeated the Tennessee Theatre this past Thursday and Friday evening as the Knoxville Symphony Orchestra began its 2021-22 season of Masterworks concerts. Having juggled their vaccination credentials, satisfied the contraband…
This Week: Knoxville Symphony Orchestra Opens Season With Works By Vivaldi, Elgar, and Valerie Coleman
BY ALAN SHERROD Knoxville Symphony Orchestra Masterworks – “The Four Seasons” Valerie Coleman: Umoja (Anthem Of Unity) Antonio Vivaldi: The Four Seasons with violinist Robyn Bollinger; spoken word poetry by Rhea Carmon and the 5th Woman Edward Elgar: Enigma Variations…
Review: KSO Wraps Four Month Season, Looks to the Future, with Torke’s ‘Sky’ and Beethoven
BY ALAN SHERROD Although Isaac Newton probably wasn’t thinking about performers and performances when he developed his First Law of Motion, that Law of Inertia has certainly demonstrated its truth in the music world over the last year—a body…
Review: KSO Charms with Mendelssohn’s “Italian”, Respighi, and Ligeti
BY ALAN SHERROD When the Knoxville Symphony Orchestra announced its four-month hybrid season of limited-audience plus livestream performances beginning in February, even the most eager listeners, admittedly anxious for a return to the concert hall, probably visualized a large…
KSO This Week: Ligeti, Respighi, and Mendelssohn’s ‘Italian’ Symphony
BY ALAN SHERROD Knoxville Symphony Orchestra Masterworks Thursday, April 22nd, 7:30 p.m. | TICKETS Tennessee Theatre, 604 S. Gay Street, Downtown Knoxville Mendelssohn — Symphony No. 4 (“Italian”) Respighi — Trittico Botticelliano Ligeti — Romanian Concerto At some…
Review: KSO Continues Return to Live Performances with Carlos Simons’ ‘Portrait of a Queen’
BY ALAN SHERROD As the Covid-19 virus ravaged lives and livelihoods over the last year, those artists who had been on the verge of big moments and big careers seemed in serious peril. Thankfully, the young composer, Carlos Simon,…