Review: CBT’s ‘People Where They Are’ – A Lesson in Escaping the Gravity of Our Past

By Alan Sherrod   In the spring of 1955, much of the Southern U.S. was a simmering kettle of racial segregation, civil rights repression, and worker/workplace abuses—one that was on the verge of boiling over into a full scale struggle…

Review: CBT’s ‘Million Dollar Quartet’ – A Whole Lotta Shakin’ Goin’ On

By Alan Sherrod   It is said that there is a moment in a person’s life—usually in the adolescent or teenage years—when music begins to speak to them in a personal way, with that specific music magically acting as a…

UT Theatre MFA Program Moves Up To 11th In National Ranking

By Alan Sherrod   It should come as no surprise that theatre graduate schools in and around New York City  benefit tremendously from their proximity to the epicenter of professional theatre in the United States. As it turns out, though,…

Review: CBT’s Whimsical and Poetic ‘The Madwoman of Chaillot’ Reveals the Truth About Evil

By Alan Sherrod   Ending the season with a large and colorful bang has generally been the modus operandi for the Clarence Brown Theatre, closing out with a season finale production that pulls out all the stops with a visual…

Tuesday Arts Miscellany: A New Footprint for Knoxville Opera’s Rossini Festival Adds To A Busy Weekend

For the last 17 years, Knoxville Opera’s Rossini Festival International Street Fair has grown and evolved from an event aimed mostly at opera-goers, into a multi-genre, multi-stage festival of performances, artisans, and food that attracts a diverse cross-section of Knoxvillians.…

Review: The Cast of CBT’s ‘Detroit ’67’ Finds Treasure in the Basement

By Alan Sherrod   Detroit in the incendiary “long, hot summer of 1967” is the setting for Dominique Morisseau’s Detroit ’67 which opened on Friday evening at Clarence Brown Theatre’s Carousel Theatre. While that summer was defined by racial tensions…

Review: CBT’s ‘King Charles III’ – A Possible Future Chases the Past

By Alan Sherrod   It should come as no surprise that a somewhat heated controversy arose in the U.K. over Mike Bartlett’s 2014 play, King Charles III, a dramatic projection of the accession to the throne of Prince Charles following…

Top Ten Most Read Arts Knoxville Stories of 2018

By Alan Sherrod   Over the last week, we’ve taken a look back at 2018 and its memorable music performances, as well as the enlightening Top Ten lists from film critics Andrew Swafford and Reid Ramsey. But what stories and…

Review: Clarence Brown Theatre’s ‘A Christmas Carol’ – The Tradition Continues

By Alan Sherrod   In Charles Dickens’ A Christmas Carol, it is Christmas Eve and time is of the essence for Ebenezer Scrooge. The familiar tale of Scrooge, from the 1843 Dickens novella that inspired a plethora of film and…

Review: CBT’s ‘Santaland Diaries’ – A Delicious Clash of Holiday Comedy and Reality

By Alan Sherrod   Two Christmas seasons working as an elf in Macy’s flagship store on New York City’s Herald Square was the inspiration for David Sedaris’ essay Santaland Diaries. Read by Sedaris on National Public Radio’s Morning Edition in…

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