Review: Theatre Critics Skewered With Relish in CBT’s ‘The Real Inspector Hound’

By Alan Sherrod   I strongly insist on telling myself that the state of dramatic criticism has evolved noticeably since playwright Tom Stoppard, a former critic himself, wrote The Real Inspector Hound in the 1960s. Otherwise, his delicious parody of…

Review: ‘Mary’s Wedding’ – A Dream of Romance and War

A dream forms the structure of Stephen Massicotte’s play, Mary’s Wedding, which opened last weekend at Flying Anvil Theatre—and it is very much the poet’s dream. However, Massicotte has not penned a purely romantic story, but has also made a…

Review: CBT’s ‘Blue Window’ Explores the Simplicity and Complexity of Everyday Lives

A focus on the ensemble has been a defining—and satisfying—characteristic of the Clarence Brown Theatre season so far—and it continues on that course with Craig Lucas’ Blue Window in the Lab Theatre of CBT. This vehicle, though, is a bit…

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