Review: Knoxville Opera’s Comedy Double Bill Exudes Cleverness and Charm

By Alan Sherrod   While the overwhelming bulk of the operatic repertoire is devoted to tragic heroes, heroines, and villains, Knoxville Opera took a comic detour Friday evening in its season-opener, leaving no comedy stone unturned in its performance of…

Preview: Knoxville Opera’s Comedy Double Bill — Mozart’s ‘The Impresario’ and Puccini’s ‘Gianni Schicchi’

By Alan Sherrod   There are a lot of myths surrounding the life of Wolfgang Amadeus Mozart, but one thing that we know for certain is that he absolutely loved a good joke—particularly if it ridiculed or parodied those in…

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