{"id":34281,"date":"2025-04-07T13:12:05","date_gmt":"2025-04-07T17:12:05","guid":{"rendered":"https:\/\/artsknoxville.com\/?p=34281"},"modified":"2025-04-07T14:06:32","modified_gmt":"2025-04-07T18:06:32","slug":"review-marble-city-opera-returns-to-westwood-for-poulencs-the-human-voice","status":"publish","type":"post","link":"https:\/\/artsknoxville.com\/index.php\/2025\/04\/07\/review-marble-city-opera-returns-to-westwood-for-poulencs-the-human-voice\/","title":{"rendered":"Review: Marble City Opera Returns To Westwood for Poulenc&#8217;s &#8216;The Human Voice&#8217;"},"content":{"rendered":"<div style=\"padding: 15px; border-style: solid; border-color: #b1b1b1 transparent #b1b1b1 transparent; background-color: transparent; font-size: 12pt; line-height: 1.4;\"><strong>BY ALAN SHERROD<\/strong><\/div>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><span style=\"float: left; color: #1a1e22; font-size: 400%; line-height: 36px; padding-top: 5px; padding-right: 3px; font-family: Times, serif, Georgia;\">W<\/span><strong>hen Marble City Opera<\/strong> last offered Francis Poulenc\u2019s one-act opera <i>The Human Voice (La voix humaine)<\/i> in 2017, it did so on a double bill with Menotti\u2019s <i>The Telephone<\/i>.<span class=\"Apple-converted-space\">\u00a0<\/span>Just such a pairing, performed with only the necessary set and props, made theatrical sense at the time, with the success and failure of human communication via the telephone being the common factor between the two otherwise very different vehicles.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\">MCO has now revisited <i>The Human Voice<\/i> with the company\u2019s Executive Artist Director Kathryn Frady returning to sing the monologue role of \u201cElle,\u201d a woman struggling with a failed love and clinging to a final telephone conversation with the departing lover. This time, however, the physical setting was anything but abstract\u2014a period room in the historical Westwood mansion on Kingston Pike in Knoxville. With the audience mere feet away from Frady surrounded by the room\u2019s dark wood period detailing and furniture, the dramatic impact of the performance was gripping in the most marvelous lyrical sense. The non-theatrical nature of the staging arrangement embraced by director Marya Barry, a technique regularly employed by MCO in other productions, allowed the audience to be voyeurs in moments of both sympathy and empathy. Frady\u2019s Elle draws the audience into her dilemma, gradually building a tragic duality that rises and falls as her own psychological bouts of blame show up both as honesty and self-deception.<\/p>\n<p class=\"p1\">Frady\u2019s impressive stature as a dramatic soprano, one with significant vocal flexibility, makes roles like Elle possible for her. Desperation, futility, anger, and angst are all traits called for in the role and Frady delivered them with what seemed to be a perfect adjustment to the physical nature and size of the Westwood setting.<\/p>\n<p class=\"p1\">Although Poulenc orchestrated the 1958 work for a full orchestra with reduced dimensions, this production features accompaniment of a single keyboard, performed here by MCO music director and pianist, Brandon Coffer. Frady and Coffer worked together brilliantly, feeding off one another in terms of tempo and pacing. In fact, the piano is called upon for the one motivating cue in the work, the sound of the ever-present telephone ringing.<\/p>\n<p class=\"p1\">Marble City Opera will close out its 2024-25 season June 5 &#8211; 7 with a production of Leoncavallo\u2019s <i>Pagliacci<\/i>. Like last season\u2019s Il Tabarro, Pagliacci will be performed in three different locations: World\u2019s Fair Park Amphitheater on June 5, Sequoyah Birthplace Museum in Vonore on June 6, and Bissel Park in Oak Ridge on June 7. Tickets.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BY ALAN SHERROD &nbsp; When Marble City Opera last offered Francis Poulenc\u2019s one-act opera The Human Voice (La voix humaine) in 2017, it did so on a double bill with Menotti\u2019s The Telephone.\u00a0Just such a pairing, performed with only the necessary set and props, made theatrical sense at the time, with the success and failure&hellip;<\/p>\n","protected":false},"author":1,"featured_media":34282,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[20],"tags":[265,341,412,709],"class_list":["post-34281","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-historic-westwood","tag-kathryn-frady","tag-marble-city-opera","tag-the-human-voice"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/artsknoxville.com\/wp-content\/uploads\/2025\/04\/mco-frady-humanvoice.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p96TJ0-8UV","jetpack-related-posts":[{"id":26457,"url":"https:\/\/artsknoxville.com\/index.php\/2017\/10\/02\/preview-marble-city-opera-presents-menottis-the-telephone-and-poulencs-the-human-voice\/","url_meta":{"origin":34281,"position":0},"title":"Preview &#8211; Marble City Opera Presents Menotti&#8217;s &#8216;The Telephone&#8217; and Poulenc&#8217;s &#8216;The Human Voice&#8217;","author":"Alan Sherrod","date":"October 2, 2017","format":false,"excerpt":"Marble City Opera presents Menotti\u2019s The Telephone and Poulenc\u2019s The Human Voice Friday and Saturday, October 6 and 7, at 8:00 PM The Square Room, 4 Market Square in downtown Knoxville Above: Kathryn Frady in 'The Human Voice' \u00a0 Where would we be without modern electronic technology? Of course, I\u2026","rel":"","context":"In &quot;Music&quot;","block_context":{"text":"Music","link":"https:\/\/artsknoxville.com\/index.php\/category\/music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2017\/10\/MCO_Voice2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2017\/10\/MCO_Voice2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2017\/10\/MCO_Voice2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2017\/10\/MCO_Voice2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":26493,"url":"https:\/\/artsknoxville.com\/index.php\/2017\/10\/07\/review-marble-city-opera-explores-human-communication-in-the-telephone-and-the-human-voice\/","url_meta":{"origin":34281,"position":1},"title":"Review &#8211; Marble City Opera Explores Human Communication in &#8216;The Telephone&#8217; and &#8216;The Human Voice&#8217;","author":"Alan Sherrod","date":"October 7, 2017","format":false,"excerpt":"Human communication via the telephone\u2014both the attempt and the psychological result\u2014was the broad premise of Marble City Opera\u2019s compelling productions this weekend at the Square Room via two one act operas, The Telephone by Gian Carlo Menotti and The Human Voice by Francis Poulenc. While the physical forms of the\u2026","rel":"","context":"In &quot;Music&quot;","block_context":{"text":"Music","link":"https:\/\/artsknoxville.com\/index.php\/category\/music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2017\/10\/MCO_Frady_HumanVoice.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2017\/10\/MCO_Frady_HumanVoice.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2017\/10\/MCO_Frady_HumanVoice.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2017\/10\/MCO_Frady_HumanVoice.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2017\/10\/MCO_Frady_HumanVoice.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":33693,"url":"https:\/\/artsknoxville.com\/index.php\/2024\/07\/15\/marble-city-opera-announces-upcoming-2024-25-season\/","url_meta":{"origin":34281,"position":2},"title":"Marble City Opera Announces Upcoming 2024-25 Season","author":"Alan Sherrod","date":"July 15, 2024","format":false,"excerpt":"While not quite a teenager, Marble City Opera has done a lot of living as Knoxville's chamber opera company. This next season, 2024-25 will be the company's twelfth since it first trod the boards in 2013. Designed with a mixture of special events and mainstage productions, one might ask: \"What's\u2026","rel":"","context":"In &quot;Music&quot;","block_context":{"text":"Music","link":"https:\/\/artsknoxville.com\/index.php\/category\/music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":27468,"url":"https:\/\/artsknoxville.com\/index.php\/2018\/03\/03\/preview-marble-city-opera-follows-up-with-follow-suit\/","url_meta":{"origin":34281,"position":3},"title":"Preview: Marble City Opera Follows Up With &#8216;Follow Suit&#8217;","author":"Alan Sherrod","date":"March 3, 2018","format":false,"excerpt":"Marble City Opera World Premiere of Follow Suit\u00a0\u2014 music by Griffin Candey, libretto by Emily Anderson Cast: Kathryn Frady and Morgan Smith Stage Director: Matthew Haney Conductor: Griffin Candey Windows on the Park Lounge in Holiday Inn World's Fair Park Friday and Saturday, March 9 and 10, 8:00 PM Tickets\u2026","rel":"","context":"In &quot;Music&quot;","block_context":{"text":"Music","link":"https:\/\/artsknoxville.com\/index.php\/category\/music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2018\/03\/MCO_FollowSuit.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2018\/03\/MCO_FollowSuit.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2018\/03\/MCO_FollowSuit.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2018\/03\/MCO_FollowSuit.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2018\/03\/MCO_FollowSuit.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":24657,"url":"https:\/\/artsknoxville.com\/index.php\/2017\/03\/18\/review-marble-city-opera-takes-la-traviata-to-another-dimension\/","url_meta":{"origin":34281,"position":4},"title":"Review: Marble City Opera Takes &#8216;La Traviata&#8217; To Another Dimension","author":"Alan Sherrod","date":"March 18, 2017","format":false,"excerpt":"Review of Marble City Opera's 'La Traviata'","rel":"","context":"In &quot;Music&quot;","block_context":{"text":"Music","link":"https:\/\/artsknoxville.com\/index.php\/category\/music\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2017\/03\/FradyTraviata.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2017\/03\/FradyTraviata.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2017\/03\/FradyTraviata.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/artsknoxville.com\/wp-content\/uploads\/2017\/03\/FradyTraviata.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":372,"url":"https:\/\/artsknoxville.com\/index.php\/2015\/01\/20\/marble-city-operas-la-femme-boheme-opens-this-saturday\/","url_meta":{"origin":34281,"position":5},"title":"Marble City Opera&#8217;s &#8216;La Femme Boh\u00e8me&#8217; Opens This Saturday","author":"Alan Sherrod","date":"January 20, 2015","format":false,"excerpt":"Since its birth in May\u00a0of\u00a02013, Marble City Opera has been at the cutting\u00a0edge of Knoxville's music performance scene. Their inaugural performance, The Face on the Barroom Floor, set the tone for what we have come to expect from an innovative company centered around the concept of chamber opera. Following works\u2026","rel":"","context":"In &quot;Music&quot;","block_context":{"text":"Music","link":"https:\/\/artsknoxville.com\/index.php\/category\/music\/"},"img":{"alt_text":"LaFemmeBoheme","src":"https:\/\/artsknoxville.files.wordpress.com\/2015\/01\/lafemmeboheme.jpg?w=350&h=200&crop=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/artsknoxville.com\/index.php\/wp-json\/wp\/v2\/posts\/34281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artsknoxville.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artsknoxville.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artsknoxville.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artsknoxville.com\/index.php\/wp-json\/wp\/v2\/comments?post=34281"}],"version-history":[{"count":3,"href":"https:\/\/artsknoxville.com\/index.php\/wp-json\/wp\/v2\/posts\/34281\/revisions"}],"predecessor-version":[{"id":34285,"href":"https:\/\/artsknoxville.com\/index.php\/wp-json\/wp\/v2\/posts\/34281\/revisions\/34285"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artsknoxville.com\/index.php\/wp-json\/wp\/v2\/media\/34282"}],"wp:attachment":[{"href":"https:\/\/artsknoxville.com\/index.php\/wp-json\/wp\/v2\/media?parent=34281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artsknoxville.com\/index.php\/wp-json\/wp\/v2\/categories?post=34281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artsknoxville.com\/index.php\/wp-json\/wp\/v2\/tags?post=34281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}