Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

Review: KSO Chamber Classics Opens With A Very ‘Memorable’ Beethoven, Mozart, and McKay

This past Sunday afternoon yielded two concerts that practically defined memorable, one of which was the Knoxville Symphony Orchestra’s season opening concert in their Chamber Classics Series at the Bijou that featured the world premiere of Dosia McKay’s ‘The Lure of the Flowering Fern’, Mozart’s Piano Concerto No. 17 with pianist Emi Kagawa, and Beethoven’s Fourth Symphony. Aram Demirjian conducted.

Review: ‘Cry It Out’ — Clarence Brown Theatre – The Lab Theatre

BY ALAN SHERROD   Molly Smith Metzler’s play, Cry It Out, may be set in a backyard in the New York City suburb of Port Washington, Long Island, but it covers a lot of territory inhabited by new mothers—unaware husbands,…

Sunday Spotlight: Pianist Emi Kagawa & KSO Chamber Orchestra—Mozart, Beethoven, McKay

The Knoxville Symphony Orchestra begins its Chamber Classics Series on Sunday, September 29, at the Bijou Theatre. The concert will offer Beethoven’s Symphony No. 4, preceded by the world premiere of the KSO-commissioned, ‘The Lure of the Flowering Fern’ and Mozart’s Piano Concerto No. 17. KSO’s Emi Kagawa is the pianist in the Mozart concerto. Aram Demirjian conducts.

On Sunday: Amadeus Concert Ensemble Turns To Dvorak For Season Opener

As reported previously, ACE is now the Amadeus Concert Ensemble—a reflection of its sizable presence in Knoxville’s classical music scene and the impressive scale of its performances with full orchestra and chorus in Knoxville’s Sacred Heart Cathedral. Its 2024-25 season…

Review: KSO Delights with Season Opener of Beethoven and Gershwin

The Knoxville Symphony Orchestra opened its 2024-25 season with George Gershwin’s Concerto in F and Beethoven’s Fifth Symphony, plus ‘Kauyumari’ by the contemporary Mexican composer, Gabriela Ortiz. Aram Demirjian conducted.

KSO Season Opener This Week: Beethoven’s Fifth and Gershwin’s Concerto in F

BY ALAN SHERROD   As 21st Century listeners, we discover there is something strangely satisfying about the familiar “ta-ta-ta-DAH” opening passage of Beethoven’s Fifth Symphony. That satisfaction, though, goes well beyond the pleasure of simple recognition. The remainder of the…

Review Bits: UT Symphony Orchestra Opens the Season with “Italian” Flavor

There was a time in Knoxville’s music past when we treated the accomplishments of the University of Tennessee Symphony Orchestra under music director and conductor James Fellenbaum as news. Sunday’s season opening concert program of the UTSO, which had as…

On Sunday: UT Symphony Orchestra Begins 2024-25 Season with Italian Flavor

“Italian” is the key word for Sunday afternoon (September 15) as the University of Tennessee Symphony Orchestra begins its 2024-25 season. UTSO music director and conductor James Fellenbaum will lead the orchestra in a program of works that were written…

Big Ears Festival Announces the 2025 LineUp

Since its launch in 2009, the Big Ears Festival has pushed the boundaries of the music world for listeners with its genre-defying, multi-dimensional programming. The 2025 Festival participants—at least some—have been announced and, once again, the mind boggles at the…

Review: A Provocative and Poignant ‘Knoxville’ at Clarence Brown Theatre

The latest adaptation of Agee’s ‘A Death in the Family’ is the musical ‘Knoxville’ written by the late Frank Galati with music by Stephen Flaherty and lyrics by Lynn Ahrens. ‘Knoxville’ opened this past weekend at the University of Tennessee’s Clarence Brown Theatre sporting superbly polished staging and a uniformly strong cast. The production continues through September 22.

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