Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

Review: Marble City Opera Breaks New Ground with ‘The Doctor and the Devils’

The occasion of a new opera making its world premiere carries not only an elevated interest for opera-goers, but also an elevated excitement. That was certainly the case last weekend as Marble City Opera premiered The Doctor and the Devils, a work it had commissioned from Knoxville composer Jason Overall.

Marble City Opera Announces Change in Venue and Date for ‘IL TABARRO’

Sometimes it just happens. Due to a last minute conflict at the original venue, the first of two performances of Puccini’s Il Tabarro, originally scheduled for Saturday, June 22, will now be  performed on Friday, June 21, 2024 at the…

World Premiere: Marble City Opera Offers Jason Overall’s ‘The Doctor and the Devils’

The Doctor and the Devils, featuring a libretto adapted by Overall from an unproduced screenplay by Welsh poet and writer Dylan Thomas, will receive its World Premiere in two performances on June 6 and 8 at the Old City Performing Arts Center.

On Sunday: Amadeus Chamber Ensemble Goes Exploring with “Fiesta Española”

The Amadeus Chamber Ensemble has covered a lot of musical territory over the last several years—with concerts running the gamut from the works of J.S. Bach to the sacred music of Giuseppe Verdi; from the heart of European classics to…

Review: Knoxville Opera’s ‘Cendrillon’ – Charming Theatrical Magic

Theatrical magic may be hard to define, but don’t tell that to last evening’s audience at Knoxville Opera’s production of Pauline Viardot’s Cendrillon, an adaptation of the Cinderella fairy tale.

This Weekend: Knoxville Opera’s ‘Cendrillon’ by Pauline Viardot

It’s almost as if someone waved a magic wand…and just like that, the story of Cinderella was everywhere. This weekend, Knoxville Opera is taking on a lesser-known, but charmingly attractive ‘Cendrillon’ by Pauline Viardot. 

Review: River & Rail’s ‘The Burn Vote’ – Learning From the Past

‘The Burn Vote,’ a new musical with book by Chris Cragin-Day and Music and Lyrics by Don and Lori Chaffer, is getting its world premiere performances under the auspices of Knoxville’s River & Rail Theatre Company. Now through May 12.

Review: UT Opera Theatre Tries On The Glass Slipper in Massenet’s ‘Cendrillon’

Both a love story and a comedy in opera form, Jules Massenet’s Cendrillon was the University of Tennessee Opera Theatre’s subject last weekend in their spring production at the Bijou Theatre.

Review: Clarence Brown Theatre’s ‘Kinky Boots’ – An Exhilarating Romp

As its final pick of the company’s season, the Clarence Brown Theatre opened its production of Kinky Boots on Friday evening. As it turns out, this production owes most of its genetic underpinning to that Broadway show thanks to director Rusty Mowery, a CBT alumnus and Broadway success story.

Review: The Gravity of ‘The Planets’ – Resistance is Futile

Although last evening’s Masterworks concert—Part 2 of the KSO’s Cosmos Festival— had the massive orchestral suite The Planets by Gustav Holst as its focus, there were other attractions to enchant the listener.

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