Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

Heads Up! What to See in Knoxville Theatre in September

Clarence Brown Theatre: Knoxville Is Knoxville Broadway bound? We’re talking about the new musical Knoxville, music by composer Stephen Flaherty and lyricist Lynn Ahrens with a book by the late Frank Galati, that opens at the Clarence Brown Theatre on…

ACE Becomes Amadeus Concert Ensemble and Announces 2024-25 Concerts

To more accurately reflect its evolution, scale, and importance, the Knoxville performance entity previously known as the Amadeus Chamber Ensemble has undergone a name change to become the Amadeus Concert Ensemble. Its thoughtfully presented composer-themed concerts employing notable soloists appearing…

Review Bits: Marble City Opera’s ‘Tenors, Tuxedos, and Stalactites’

Telling someone to “go sing in a cave” sounds like a perfectly delicious fifth grade playground taunt, but, in truth, it is a tactic that seems to be working quite well for Marble City Opera. This past Saturday afternoon found them in Historic Cherokee Caverns off Oak Ridge Highway for “Tenors, Tuxedos, and Stalactites,” a program of mostly operatic nuggets for three local tenors: Cody Boling, Chris Plass, and John Overholt.

Clarence Brown Theatre Brings Musical ‘Knoxville’ to the Stage

It hardly needs saying that the hottest theatre ticket of the year in Knoxville is … Knoxville. The musical Knoxville, adapted from the Pulitzer Prize-winning novel A Death  in the Family by Knoxville native son James Agee, opens at the…

Review: ‘Shrek The Musical’ (Touring) at the Tennessee Theatre

A refreshed touring version of ‘Shrek The Musical’ saw a two-performance stop this week in Knoxville at the Tennessee Theatre as part of its “Broadway at the Tennessee Theatre” series.

Marble City Opera Announces Upcoming 2024-25 Season

While not quite a teenager, Marble City Opera has done a lot of living as Knoxville’s chamber opera company. This next season, 2024-25 will be the company’s twelfth since it first trod the boards in 2013. Designed with a mixture…

Saturday: “Rising” – Lawrence Brownlee in Concert at the Tennessee Theatre

World-renowned tenor Lawrence Brownlee will present “Rising,” a concert under the auspices of Knoxville Opera and the National Association of Teachers of Singing, on Saturday evening, June 29, at the Tennessee Theatre. He will be accompanied by pianist Kevin J.…

Review: Marble City Opera Takes Puccini’s ‘Il Tabarro’ On A Marvelous Riparian Journey

Marble City Opera has literally doubled down on its previous outdoor theatre efforts, this time with two performances at two different locations. The chosen work was Puccini’s Il Tabarro (The Cloak) and the chosen locations were those that might suggest a dockside setting on Paris’ River Seine: the Sequoyah Birthplace Museum on the Little Tennessee River in Vonore on Friday and the Melton Lake Park in Oak Ridge on Sunday.

Review: Broadway’s ‘Beetlejuice’ is a Different and Brash Wild Ride

It goes without saying that Tim Burton’s cleverly stylized 1988 film, Beetlejuice, has legions of fans. Based on the crowd in the Tennessee Theatre lobby Tuesday evening, the Broadway musical stage adaptation of it seems to have quite a few as well.

Review: Marble City Opera Breaks New Ground with ‘The Doctor and the Devils’

The occasion of a new opera making its world premiere carries not only an elevated interest for opera-goers, but also an elevated excitement. That was certainly the case last weekend as Marble City Opera premiered The Doctor and the Devils, a work it had commissioned from Knoxville composer Jason Overall.

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