Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

Review: Eckart Preu and KSO Masterful in February’s Masterworks

If anyone foolishly thought the selection process for finding the next music director of the Knoxville Symphony Orchestra was going to be an easy, or obvious one, the appearance this week of guest conductor Eckart Preu, the fourth of six…

Review in the Knoxville Mercury: CBT’s ‘Titus Andronicus’

Read my review of Clarence Brown Theatre’s production of ‘Titus Andronicus’ in the Knoxville Mercury.

Recital Report: Brahms Chamber Music with Piano Wraps with 7th Recital

On Monday, Kevin Class wrapped up his seven recital series of the Complete Chamber Music of Brahms with piano. Over the seven recitals, Class was joined by 15 guest musicians and UTSOM faculty members.

KSO This Week: Mozart, Richard Strauss, Higdon, and Prokofiev

The Knoxville Symphony Orchestra concerts this week feature guest conductor Eckart Preu in works by Mozart, Prokofiev, Higdon, and Richard Strauss. Alon Goldstein will be the pianist in Mozart’s Piano Concerto No. 20 in D minor.

2016 Winners: Met Opera Mid-South Region

(L to R) Nicolette Book, Jacqueline Piccolino, Emmett O’Hanlon, judges Melissa Wegner and Brian Speck, 2nd place – Jessica Faselt, 1st place – Hunter Enoch (Photo and info courtesy of Metropolitan Opera National Council – Mid-South Region) The auditions for…

Saturday, Feb 6: 2016 Met Opera Mid-South Auditions

The Metropolitan Opera National Council auditions for the Mid-South Region will take place this Saturday, February 6, 2016, at the Germantown Performing Arts Center in Germantown, TN. Starting time is 11 am.  One region winner will advance to the national semi-finals in New…

Review in the Knoxville Mercury: Storm Fizzles, Demirjian and KSO Dazzles

My review of last week’s Knoxville Symphony Orchestra Masterworks concerts featuring guest conductor Aram Demirjian and violinist Philippe Quint can be found in this week’s Knoxville Mercury. That concert featured works by John Adams, Ligeti, Bruch, and Beethoven.

KSO This Week: Guest conductor Aram Demirjian — Beethoven, Bruch, Ligeti, Adams

Knoxville Symphony Orchestra Masterworks Guest conductor: Aram Demirjian Guest violinist: Philippe Quint Thursday and Friday, January 21,22, 7:30 p.m. Tennessee Theatre, 604 S. Gay Street, Downtown Knoxville Tickets: http://www.knoxvillesymphony.com or 865-291-3310 ———————————– It is now the 2016 side of the…

Four Winners in 2016 Met Auditions for Middle/East Tennessee District

2016 Met Audition Winners with district co-chairs (L to R) Phyllis Driver (co-chair), Jessica Faselt, Evan Kardon, Lauren McQuistin, Todd Barnhill, Jocelynne McCall (co-chair) The 2016 Metropolitan National Council auditions for the Middle/East Tennessee District held on Saturday, January 9,…

Sunday at the Bijou: The Principal Quartet Explores Schubert, Prokofiev, and Brahms

While the growth of Knoxville’s classical music scene has been quietly satisfying for audiences, the growth of chamber music within that scene in the last five or six years has been nothing short of phenomenal. Providing the original foundation for…

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