Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

Review: Marble City Opera’s ‘Ghosts of Crosstown’

Already in its short existence, Knoxville’s chamber opera company, Marble City Opera, has sought to transport us to western barrooms, garden parties, Parisian garrets, and New York City apartments. Last evening, though, the destination was the old vacant, art deco…

UT Premieres Ellen Reid/Royce Vavrek, ‘Knoxville: Summer of 2015’

In this week’s Knoxville Mercury, I preview the new work by Ellen Reid and Royce Vavrek, Knoxville: Summer of 2015. On the concert at the Tennessee Theatre on Friday evening, that work follows a performance of the Samuel Barber work,…

Sunday at the Bijou: Mozart and More

“Mozart and More” — Knoxville Symphony Orchestra’s Chamber Classics Series Knoxville Symphony Chamber Orchestra Sunday, November 1, 2:30 p.m. Bijou Theatre, 803 S. Gay Street, downtown Knoxville Info/tickets I had the opportunity recently to reflect on the idea of a…

Thurs: Marble City Opera, ‘Ghosts of Crosstown’

Can a building affect the human lives that it comes in contact with? The Sears Crosstown Building in Memphis was built in 1927 as a high-rise distribution center and retail store for Sears, Roebuck & Co. It served as such until 1983…

KSO This Week: Guest Maestro Marcelo Lehninger — Shostakovich, Respighi, Ravel

This week’s Knoxville Symphony Orchestra Masterworks pair of concerts begins the monthly “audition” series in the orchestra’s music director selection process. This month’s candidate is Marcelo Lehninger who most recently was associate conductor of the Boston Symphony Orchestra. Lehninger’s program includes:…

This Week: KSO’s Concertmaster Series at the KMA

The Knoxville Symphony Orchestra’s Concertmaster Series of chamber music events, Gabriel Lefkowitz and Friends, opens its 4th season this week on Wednesday and Thursday evenings at the Knoxville Museum of Art. What has made the series so charming are the friendly…

Review: Knoxville Opera Gives a Monumental Scale to Boito’s ‘Mefistofele’

Knoxville Opera’s production of Boito’s Mefistofele Tennessee Theatre Friday, October 9, and Sunday, October 11 Unless you have been in the vicinity of a major opera house—like the Metropolitan Opera in New York, San Francisco Opera, or some of the oft-visited…

Review: Knoxville Symphony Chamber Orchestra – Schubert, Weber, Mendelssohn

Thank heavens for the Knoxville Symphony Orchestra’s Chamber Classics Series. The series has been, and is continuing to be this season, a breath of fresh air and a true opportunity to hear works that bypass the KSO’s full orchestra concerts—and…

Review in the Knoxville Mercury: KSO Opens Season with American Composers

My review of last weekend’s Knoxville Symphony Orchestra concerts featuring works by Chadwick, Gershwin, Barber, and Bernstein is in this week’s Knoxville Mercury. Read it online here. Pianist: Sean Chen (Gershwin’s Concerto in F) Conductor: James Fellenbaum

KSO’s 80th Season Begins: “American Masters”

It’s practically impossible not to sense the optimism and anticipation that precedes the Knoxville Symphony Orchestra’s 2015-16 season. It seeps into conversations and drifts through the musings of both audience members and musicians. It is in this season that candidates…

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