Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

Review: Magically Delicious–UT Opera Theatre Charms with Mozart’s ‘The Magic Flute’

Without doubt, the very things that make Mozart’s The Magic Flute (Die Zauberflöte) compelling theatre are also the things that can become mind-boggling difficulties in modern productions. Its allegorical themes of enlightenment vs. ignorance, and the basic good vs. evil…

This Weekend: UT Opera Theatre’s ‘The Magic Flute’

The University of Tennessee Opera Theatre is once again downtown at the Bijou Theatre, this time for a production of Mozart’s final opera, Die Zauberflöte (The Magic Flute). The production, directed by James Marvel with musical direction by Kevin Class,…

In the ‘Mercury’: Review of KSO’s ‘Mozart and Mendelssohn’

Last weekend’s Knoxville Symphony Orchestra concert featured Rossini’s Overture to William Tell, Mozart’s Piano Concerto No. 25 in C Major (pianist Conrad Tao), and Mendelssohn’s Symphony No. 3 in A Minor (“Scottish”). The guest conductor was James Feddeck. My review of…

‘A Shayna Maidel’ at CBT Lab Theatre 3/26-4/12

Barbara Lebow’s drama of a post-war family relationship following the Holocaust, A Shayna Maidel, runs in the Clarence Brown Theatre’s Lab Theatre from March 26 until April 12. The run is sold-out, but a first-come first-served waiting list will be established 45…

Preview: KSO Visits Rossini, Mozart, and Mendelssohn’s ‘Scottish’ Symphony

The Knoxville Symphony Orchestra Masterworks “Mozart and Mendelssohn” Thursday and Friday, March 19, 20, at 7:30 p.m., Tennessee Theatre Conductor: James Feddeck Rossini: The overture to William Tell Mozart: Piano Concerto No. 25 in C Major, K. 503; Conrad Tao, piano Mendelssohn:…

The Knoxville Mercury Launches

Knoxville’s new alt-weekly, the Knoxville Mercury, has finally arrived! You can find an issue in racks in retail stores, restaurants, and street racks around Knoxville. More distribution rack locations are coming. Please support local, independent journalism by picking up a…

Five Reasons Why the 2015 Big Ears Festival is So Important

The 2015 Big Ears Festival hits downtown Knoxville venues on Friday, March 27, through Sunday, March 29. If you have already acquired a weekend or day pass for the festival, you undoubtedly already know the importance of Big Ears, not…

Wed/Thurs: KSO Concertmaster Series Features Dvorák Quintet in G

The last KSO Concertmaster Series concert of the season comes this week to the Knoxville Museum of Art in a program featuring the Dvorák String Quintet in G major, Op. 77 as well as a slew of short virtuosic violin pieces…

Sunday: KSO Chamber Orchestra Teases Us With Thoughts of Spring

Aaron Copland’s Appalachian Spring seems to miraculously capture something of hope and longing, and evokes a yearning for a rebirth and a new beginning in a landscape of pastoral beauty. In truth, though, Copland was merely composing for an as-yet…

Weekend Reviews, Part 2: UT Symphony Pipes Up With Fauré and Saint-Saëns

By Saturday evening, Friday’s treacherous ice-covered snow had turned to cold rain and messy, deep slush. However, the spectre of soggy shoes and dripping overcoats did not persuade the fans of the University of Tennessee Symphony Orchestra under conductor James Fellenbaum to stay…

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