Sometimes, our memories, even of hard and testing times, return to us sweetly, like a fleeting song. That’s how playwright Brian Friel remembers one summer from his childhood in rural Ireland in 1936, a moment on the brink of devastating change to his family’s livelihood. Theatre Knoxville Downtown presents Friel’s play based on these memories, ‘Dancing at Lughnasa’, directed by Barry Wallace, a conflicting and bittersweet contemplation on memory, hope, and the painful inevitability of change.
Theatre
“What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come … ”
― Samuel Beckett, Waiting for Godot
Review: ‘Shucked’ National Tour — A Musical Feast of Puns and Groaners
BY ALAN SHERROD All you probably need to know about the musical Shucked is…
Review: River & Rail’s ‘It’s A Wonderful Life: A Live Radio Play’ – A New Holiday Tradition?
One of the most interesting ironies of the American cinema is that the now-classic holiday television vehicle, the 1946 Frank Capra film, ‘It’s A Wonderful Life,’ was not initially successful, either financially or critically, despite its director and its star, James Stewart. While it was nominated for five Academy Awards, it failed to win any; critics in the post-war years were generally complimentary, but found it too “simple-minded” and overly sentimental. Falling into Hollywood’s version of obscurity, the film languished and its copyright was eventually allowed to expire in 1974, an event that ironically set the stage in the 1980s for its subsequent television appearances and belated popularity.
The current River & Rail Theatre Company production, ‘It’s a Wonderful Life: A Live Radio Play’—an adaptation by Joe Landry— runs at the Old City Performing Arts Center through December 22.
Review: TKD’s ‘My Three Angels’: Criminally Fun
BY HAYLEY WILSON The Christmas season is upon us, which means a slew of…
Review: ‘Tina: The Tina Turner Musical’ at the Tennessee Theatre
Tina: The Tina Turner Musical, now in its second National Tour run, is making a stop in Knoxville this week for eight performances at the Tennessee Theatre. This quintessential biographical jukebox musical follows the rise and rock queen-dom of Anna Mae Bullock, who would eventually triumph as the super-star Tina Turner.
Review: CBT’s ‘A Christmas Carol’ Returns — And So Should You
The current Clarence Brown Theatre version of A Christmas Carol which opened this past weekend is an adaptation by Edward Morgan and Joseph Hanreddy with music by John Tanner. This popular version first appeared on the CBT stage in 2016 and returned for three more years before the pandemic closure of 2020. It returned in 2023 and has now been freshened and energized for a 2024 run through December 21. Those theatre-goers who may have seen the production last year, or before, will certainly want to consider a return. This 2024 staging is CBT’s best by far—both in performances and visual delights.
Opening This Week: CBT’s Grand Tradition – ‘A Christmas Carol’
It seems inevitable that we find ourselves talking about traditions this time of year. Our…
Review: Chris McCreary’s ‘Hot Nostalgia’: Burning Questions for Past, Present, and Future
For one night only, writer and performer Chris McCreary presented his solo show Hot Nostalgia, a metatheatrical and eclectic mix of monodrama, stand-up, and sketch comedy. Collectively produced by First Take Co. and Free Women Waltzing Club and hosted at local multiuse artist venue SpaceCraft, Hot Nostalgia is a warm and engaging show that is both deeply reflective and hilariously irreverent, representing the best of Knoxville’s local arts scene and the community efforts and spaces that make it happen.
Review: Theatre Knoxville Downtown’s ‘The Elephant Man’
Theatre Knoxville Downtown presents Bernard Pomerance’s 1977 The Elephant Man. Directed by Sarah Campbell and set during Victorian-era London and Belgium, The Elephant Man recounts the life of Joseph Merrick, a man known for his physical deformities the cause of which modern medicine still does not fully understand.
Review: ‘How To Defend Yourself’ in the Lab Theatre at CBT
The Clarence Brown Theatre presents a troubling and thoughtful recent play, Liliana Padilla’s 2018 How to Defend Yourself, to UTK’s campus, directed by Jayne Morgan. How to Defend Yourself is about just that — a group of college students who join a self-defense class in the wake of the sexual assault of one of their friends. Collaborating with both community and campus resources, CBT’s How to Defend Yourself has an important message for everyone, but one that seems particularly relevant to UTK’s campus community: both students and educators.
