Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

Review: KSO Charms with Mendelssohn’s “Italian”, Respighi, and Ligeti

BY ALAN SHERROD   When the Knoxville Symphony Orchestra announced its four-month hybrid season of limited-audience plus livestream performances beginning in February, even the most eager listeners, admittedly anxious for a return to the concert hall, probably visualized a large…

KSO This Week: Ligeti, Respighi, and Mendelssohn’s ‘Italian’ Symphony

BY ALAN SHERROD   Knoxville Symphony Orchestra Masterworks Thursday, April 22nd, 7:30 p.m. | TICKETS Tennessee Theatre, 604 S. Gay Street, Downtown Knoxville Mendelssohn — Symphony No. 4 (“Italian”) Respighi — Trittico Botticelliano Ligeti — Romanian Concerto   At some…

Tuesday Arts Miscellany: April 6, 2021 – Theatre, Music, et al.

It has been a constant discussion among performing arts organizations over the last year — how to maintain a performing presence while adhering to pandemic safety standards for audiences and performers…without compromising the essence of the art. Clarence Brown Theatre…

Tuesday Arts Miscellany: April 2021 Exhibition Openings

All locations mentioned below ask that you wear a mask and practice social distancing while in their facility. •    •    •    •    •    •    •    •    •    •    •   …

Review: KSO Continues Return to Live Performances with Carlos Simons’ ‘Portrait of a Queen’

BY ALAN SHERROD   As the Covid-19 virus ravaged lives and livelihoods over the last year, those artists who had been on the verge of big moments and big careers seemed in serious peril. Thankfully, the young composer, Carlos Simon,…

Tuesday Arts Miscellany: March 23 – KSO, Knoxville Opera, Emporium, UT Downtown Gallery

Having gorged ourselves on Birthday cake for Johann Sebastian Bach’s 336th and enjoyed a boatload of streamings from Leipzig, it is time to jump in and enjoy what Knoxville’s spring has in store this week. •    •    • …

Review: Marble City Opera Bets On Its ‘Royal Flush’

BY ALAN SHERROD   Much will be written in the months and years to come describing the multiple layers of destruction that the Covid-19 pandemic has brought down onto our civilization. The anguish and heartbreak of the loss of life…

Review: The Bijou Theatre Sees An Energetic Installment of KSO’s Concertmaster Series

BY ALAN SHERROD   When the Knoxville Symphony Orchestra began its Concertmaster Series of chamber music in 2012 under former concertmaster Gabriel Lefkowitz, its concept of attracting new audiences to alternative venues seemed very contemporary and cool. Housed in a…

Tuesday Arts Miscellany: March 9, 2021 – Marble City Opera, KSO Concertmaster, et al.

As more and more people are vaccinated against Covid-19 and feel more confident in venturing out, arts organization are offering audiences an opportunity to attend a performance live OR view a livestream. Here are a few this week— •   …

Review: KSO Lures Its Live Audience Back With A Special “Symphonic Split”

BY ALAN SHERROD   Apparently, the universe loves irony. That can be the only explanation for the wildly successful return on Sunday of the Knoxville Symphony Orchestra to performances before live audiences. In a novel approach to conforming to pandemic…

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