BY WYATT ALLISON This past weekend, I went to my local Regal Cinemas to…
Film
“I’ve got information, man. New shit has come to light.” – The Dude, ‘The Big Lebowski’
Film Review: ‘Disclosure Day’ — Spielberg’s new, emotionally-stunning sci-fi summer blockbuster
BY WYATT ALLISON It was a strange day in Nashville this Monday — the…
Film Review: ‘Tuner’ — An old-fashioned, thrilling exercise of 70’s cinema
BY WYATT ALLISON In 1976, Dustin Hoffman was the star of a film called…
Film Review: ‘Erupcja’ — Volcanoes are BRAT – apparently.
BY WYATT ALLISON Whether you like it or not, pop stars are infiltrating the…
Film Review: ‘Michael’ — An Uninteresting Capture of the Most Interesting Artist to Exist
BY WYATT ALLISON Much like Michael Jackson’s shaky reputation in the public eye –…
Revolutionists vs. Vampires: Predicting all 24 Oscar winners
BY WYATT ALLISON This Sunday, March 15th, will be the end of yet another…
Review: ‘Marty Supreme’ – Overstuffed Gems make for Chalamet’s career performance
BY WYATT ALLISON In a year full of stories commenting on modern American culture,…
Film Review: Paul Thomas Anderson’s ‘One Battle After Another’ — Pure Cinematic Grandeur
‘One Battle After Another’ — Paul Thomas Anderson’s politically charged love letter to his children will be remembered as the moment optimism was cast onto the next generation.
Review: Ari Aster’s ‘Eddington’ and his desperate call for decency
With his latest film, ‘Eddington’, Ari Aster borrows more culture critic tendencies. Joaquin Phoenix once again plays a man—this time much less afraid of himself and others—who is married to a woman (Emma Stone) who is both intertwined in a sexless marriage with him and on her spiritual journey of destiny. Yet in Eddington, Phoenix’s character is a much stronger encapsulation of the modern American psyche.Â
