BY WYATT ALLISON You Can See Everything: A tonal deconstruction of modern documentary filmmaking…
Film
“I’ve got information, man. New shit has come to light.” – The Dude, ‘The Big Lebowski’
Film Review: ‘Love of Your Life’
BY WYATT ALLISON …An honest, beautifully-shot pandemic drama that fulfills a warm craving …
Film Review: ‘The History of Concrete’ – A visual gag of urban existentialism
BY WYATT ALLISON There’s been a select few individuals in the film space who…
Film Review: ‘Oasis: Don’t Look Back in Anger’
BY WYATT ALLISON A gossip-less exploration of reconciliation between rock n’ roll gods “Noel…
Film Review: ‘It Ends’ — A thrilling debut of generational existentialistic heights
BY WYATT ALLISON Gen-Z filmmakers have had themselves an imprint year on the cultural…
Film Review: ‘Tony’ – A somber, tight-knit anti-biopic of Anthony Bourdain
BY WYATT ALLISON Ever since I sat down to watch this film in late…
Film Review: “I Want Your Sex” – Olivia Wilde summer is in full commencement with Gregg Araki’s first feature film in 12 years
BY WYATT ALLISON It can’t be overstated just how much of an impact classic…
Film Review: ‘The Odyssey’ — Christopher Nolan’s towering epic is a blank check well cashed
BY WYATT ALLISON This past weekend, I went to my local Regal Cinemas to…
Film Review: ‘Disclosure Day’ — Spielberg’s new, emotionally-stunning sci-fi summer blockbuster
BY WYATT ALLISON It was a strange day in Nashville this Monday — the…
Film Review: ‘Tuner’ — An old-fashioned, thrilling exercise of 70’s cinema
BY WYATT ALLISON In 1976, Dustin Hoffman was the star of a film called…
