Alan Sherrod
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Drawing from a career background in music, motion pictures, and theatre, Alan Sherrod has been writing about Knoxville's diverse art and music scene since 2007 — first as the classical/new music writer for the alternative weekly Metro Pulse, then later in the same capacity for the Knoxville Mercury. After the closure of Metro Pulse in 2014 by its parent company, Sherrod created ARTS KNOXVILLE to provide a home for Knoxville arts journalism. In August, 2017, he expanded ARTS KNOXVILLE into the site it is today — a site dedicated to continuing the arts journalism legacy of those alternative weeklies. In addition to covering Knoxville's arts scene, he has also contributed music content to the Nashville Scene and other arts and entertainment publications around the U.S, including the website, Classical Journal. Mr. Sherrod was a recipient of a 2010 Fellowship from the National Endowment for the Arts — the Arts Journalism Institute in Classical Music and Opera — under the auspices of the Columbia University Graduate School of Journalism. In 2019, Sherrod was inducted into the East Tennessee Writers Hall of Fame.

UT School of Music: Concerto Competition Winners

BY ALAN SHERROD   We’ve been feasting on a lot of Beethoven as of late, thanks to the Beethoven250 anniversary events celebrating the composer’s 250th birthday this year. From the UT Symphony Orchestra this season and last, we’ve heard Beethoven’s…

Review: Destiny and Time Collide in ‘Constellations’ at River and Rail Theatre Company

BY ALAN SHERROD   Is life a matter of destiny or is it an infinite and seemingly random process of making choices? Not only does playwright Nick Payne make a firm case for the latter in his 70-minute, two character…

UT Alumna Alexandria Shiner Wins In Met Auditions Grand Finals

In Sunday’s Metropolitan Opera National Council (MONC) Grand Finals Concert, UT Alumna Alexandria Shiner emerged as one of five winners in this year’s Grand Finals competition. The soprano, most recently a member of Washington National Opera Domingo-Cafritz Young Artist Program,…

Review: Marble City Opera’s ‘ShadowLight’ – A Stunning Celebration of the Art and Life of Beauford Delaney

BY ALAN SHERROD   One of the greatest challenges of theatre is representing art through music—and music through art. ShadowLight, a new opera from Marble City Opera with music by Larry Delinger and libretto by Emily Anderson, took that challenge…

Review: CBT’s ‘Hamlet’ in Carousel Theatre

BY ALAN SHERROD   I t has been more than 80 years since Orson Welles and the Mercury Theatre changed a lot of theatrical thinking with their production of Shakespeare’s Julius Caesar, a staging that used a contemporary milieu and…

Review: Violinist Hristova Commands the Price – KSO Fashions an Heroic ‘Eroica’

BY ALAN SHERROD   The lobby of the Tennessee Theatre has probably seen every kind of audience response, but the intermission buzz at this weekend’s Knoxville Symphony Orchestra Masterworks concerts was a little more animated than usual. Even amidst the…

Preview: Marble City Opera’s ‘ShadowLight’ Explores the Life and Art of Beauford Delaney

BY ALAN SHERROD   One of the lamentable ironies of artistic creation is that the age in which one lives and works is not necessarily the age in which one gains widespread acceptance. The perfect example of this is the…

Preview: UT School of Music Presents Beethoven’s Ninth Symphony

BEETHOVEN’S NINTH SYMPHONY University of Tennessee Symphony Orchestra University of Tennessee Choral Ensembles Soloists: Sarah-Clementine Mire, soprano; Sarah Beegle, contralto; Miles Jenkins, tenor; Logan Campbell, bass-baritone Conductor: James Fellenbaum Tennessee Theatre, 604 S. Gay Street, Downtown Knoxville 7:30 PM –…

Tuesday Arts Miscellany: February 18, 2020

The actual 250th Birthday of Ludwig van Beethoven is not until December of this year, but that hasn’t stopped a two-year worldwide focus on all things Beethoven. If you’ve been saving up your Beethoven concert-going energy for something really big,…

Review: Knoxville Opera’s ‘Roméo et Juliette’

Roméo et Juliette returned to Knoxville audiences this weekend with the atmospheric Shakespearean reminder intact.

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