Perhaps it’s the warm weather, or perhaps it’s the seasonal idea of commencement—an ending that’s also a beginning. Whatever the impetus, the final concerts of the season for the Knoxville Symphony Orchestra each May always seem to evoke a mix of heart-tugging nostalgia and optimism for what the future may bring. On those final May concerts this past weekend, however, those usual emotions were joined by something new, a curious, but restrained sense of excitement and anticipation similar to what one feels when embarking on an adventure.
KSO This Week: A Feast of American Composers to End the Season
I have to admit that prior to February 2017 my knowledge of Florence Price and her music was that of her name on a list of American women composers. In my shaky defense to never having heard a live performance of her music until then, or even a recording, I can say that I wasn’t totally alone even among those who write about the subject.
Review: KSO Indulges in a Lusty ‘Carmina Burana’
The KSO performance put the spotlight on what is important in the piece: a relatively simple musical language that wallows in the indulgent fantasies of spring, charms and satisfies the listener musically, and supports the bawdy and poetic spirit of the Medieval texts.
Preview: KSO, Knoxville Choral Society, and Soloists Take on ‘Carmina Burana’ This Week
Knoxville Symphony Orchestra Masterworks: “Carmina Burana” Conductor: Aram Demirjian Gustav Mahler: Blumine Kurt Weill: Suite from Die Dreigroschenoper (The Threepenny Opera) Carl Orff: Carmina Burana Tennessee Theatre, 604 S. Gay Street, Downtown Knoxville Thursday and Friday, March 15 and 16, 7:30…
Review: KSO Goes Bach to Mozart with a Freshness and Sparkle
Confessions of a Bachophile — Chapter 17 In my review of the Knoxville Symphony Chamber Orchestra’s February concert that included the J.S. Bach Concerto for Two Violins, I stated—humorously, I thought—that it seemed listeners simply could not get enough of…
Sergei Rachmaninoff, We Hardly Knew Ye
BY ALAN SHERROD This week—specifically Saturday, February 17—marks a rather ironic claim to fame for Knoxville. In Knoxville on that date in 1943, 75 years ago, the Russian composer and pianist, Sergei Rachmaninoff, gave the last public performance of…
Review: KSO Brings Ecstasy and Enlightenment with Bach and Shostakovich
After Sunday afternoon’s Knoxville Symphony Orchestra Chamber Classics concert, several things should now be readily apparent to the KSO’s audience.
Strad and Rad: KSO Brings Two Stradivarius Violins To Knoxville for Bach, Shostakovich, and Schnittke
Knoxville Symphony Chamber Orchestra’s Chamber Classics Conductor: Aram Demirjian Schnittke: Moz-Art à la Haydn Golijov: Last Round (Muertes Del Angel) Bach: Concerto For 2 Violins (Soloists William Shaub and Edward Pulgar) Jessie Montgomery: Starburst Shostakovich: Chamber Symphony Sunday, February 4,…
Review: KSO Tests New Territory with “Bohemian Rhapsodies”
As I suggested in my preview of this weekend’s Knoxville Symphony Orchestra Masterworks concerts, the conversation on what constitutes the future of classical music is not a new one. While it has been a regular topic for years for national…
KSO This Week: PROJECT Trio Joins the Orchestra for “Bohemian Rhapsodies”
Put a group of classical music musicians or listeners together for any extended period, factor in an alcoholic beverage or two, and the conversation will inevitably find its way to the question—“what’s the future of classical music?”