Wyatt Allison
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Film Review: ‘Disclosure Day’ — Spielberg’s new, emotionally-stunning sci-fi summer blockbuster

BY WYATT ALLISON   It was a strange day in Nashville this Monday — the Country Music Awards Festival-goers were heading out of town (thank God!), there was a flood warning and sunshine all within an hour, and elsewhere, the…

Film Review: ‘Tuner’ — An old-fashioned, thrilling exercise of 70’s cinema

BY WYATT ALLISON   In 1976, Dustin Hoffman was the star of a film called Marathon Man, that followed a hotshot Columbia grad embroiled in a plot through his brother, with an evil Nazi war dentist played by the stage/screen…

Film Review: ‘Erupcja’ — Volcanoes are BRAT – apparently.

BY WYATT ALLISON   Whether you like it or not, pop stars are infiltrating the movies you watch. But, let’s not act like this is anything new, as larger-than-life icons like Madonna redefined her artistry and starred opposite the likes…

Film Review: ‘Michael’ — An Uninteresting Capture of the Most Interesting Artist to Exist

BY WYATT ALLISON   Much like Michael Jackson’s shaky reputation in the public eye – Lionsgate’s tent pole film adaptation,  Michael, of Jackson’s life was an unprecedented production disaster. From production delays to trade publications breaking news about a potential…

Revolutionists vs. Vampires: Predicting all 24 Oscar winners

BY WYATT ALLISON   This Sunday, March 15th, will be the end of yet another overlong awards season at the 98th Academy Awards. I’m not quite sure why the Academy keeps pushing this ceremony further into the year, but this…

The Best Films of 2025

BY WYATT ALLISON   Ah, 2025, what a mess! This was one of the more grim years in cinematic history as it looks like we’ve lost another legacy studio to either a streaming platform that may kill the theatrical business…

Review: ‘Marty Supreme’ – Overstuffed Gems make for Chalamet’s career performance

BY WYATT ALLISON   In a year full of stories commenting on modern American culture, Josh Safdie’s Marty Supreme might be the most American film of the year. Marty Mauser (Timothee Chalamet) is a young, hungry and overly confident table…

Film Review: Paul Thomas Anderson’s ‘One Battle After Another’ — Pure Cinematic Grandeur

‘One Battle After Another’ — Paul Thomas Anderson’s politically charged love letter to his children will be remembered as the moment optimism was cast onto the next generation.

Review: Ari Aster’s ‘Eddington’ and his desperate call for decency

With his latest film, ‘Eddington’, Ari Aster borrows more culture critic tendencies. Joaquin Phoenix once again plays a man—this time much less afraid of himself and others—who is married to a woman (Emma Stone) who is both intertwined in a sexless marriage with him and on her spiritual journey of destiny. Yet in Eddington, Phoenix’s character is a much stronger encapsulation of the modern American psyche. 

Cardinals vs. Sex Workers: Predicting all 23 Oscar winners

I’ve been covering the Academy Awards for the past few and have been watching them since I was about 11 years old. I can say with confidence that this is the most unpredictable awards season that I’ve encountered. It seems every precursor is going a different way, making this Sunday night completely mutable, which is how it should be for the viewers.

Without further ado, here are my predictions for every category at the 97th Academy Awards.

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