BY HAYLEY WILSON To ChatGPT, or Not to ChatGPT. That is the existential question…
Theatre
“What are we doing here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in the immense confusion one thing alone is clear. We are waiting for Godot to come … ”
― Samuel Beckett, Waiting for Godot
Review: TKD’s ‘Private Lives’ Airs Out the Dirty Laundry
BY HAYLEY WILSON Sometimes, old flames don’t die, but come back with a roaring…
Review: ‘Cabaret’ and Its Tale of Caution Opens CBT’s New Jenny Boyd Theatre
BY ALAN SHERROD Opening night in most any theatre is a special occasion, one…
Wrapping Up: Tennessee Stage Co.’s New Play Festival 2026
BY HAYLEY WILSON January was a huge month for theatre in Knoxville, and one…
Review: ‘MJ the Musical’ – All that Glitters
BY ALAN SHERROD Jukebox musicals have become an important slice of the pie that…
Review: In the Castle of Eternal Sunset – A Critical Hit for Immersive Theatre in Knoxville
BY HAYLEY WILSON For three nights only, First Take Co. and Fable Hollow Bookshoppe…
Review: TKD’s ‘Doubt, A Parable’
BY HAYLEY WILSON In the opening monologue of John Patrick Shanley’s 2005 Pulitzer Prize…
Review: New Play Fest Offers Staged Reading of ‘A Sad Vampire’ by Aleah Vassell
BY HAYLEY WILSON In addition to a spotlight production headlining the festival, the Tennessee…
Review: Tennessee Stage Company Presents New Play ‘Landscape, With Color’
BY HAYLEY WILSON Tennessee Stage Company’s New Play Fest is in full swing this…
Review: River and Rail Theatre Company – ‘Little Women’
BY ALAN SHERROD Adapting classic literature for the stage filtered through a contemporary lens…
