Hayley Wilson
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Hayley Wilson is a PhD candidate in the English department at UTK studying Black drama and performance. Her dissertation project looks at two beloved Harlem Renaissance playwrights, Zora Neale Hurston and Langston Hughes, and their impact on Black drama in the 20s and 30s. Outside of her academic work, Hayley enjoys snuggling with her three cats. Unfortunately, she was not a theater kid in high school and is currently making up for that by getting into local theater as much as she can. Her contribution to Arts Knoxville helps her escape her academic duties and engage with the living world of theater, no textbooks required.

Review: Tennessee Stage Company’s ‘Henry IV Part I’ Turns The Bard’s Histories into Herstories

BY HAYLEY WILSON   Shakespeare’s history plays are known for centering powerful men; in a long list of Richards, Johns, and so, so many Henrys, women are hardly central to this genre in the Bard’s repertoire. However, that doesn’t mean…

Review: Theater23’s ‘Decoration Day’ — A Memorial Day Treat

BY HAYLEY WILSON   Appalachia has its many traditions, one of which is Decoration Day, a time during late spring to early summer where families flock to the cemeteries to tend to the burial sites of their loved ones. This…

Review: TKD’s ‘Bug’ Gets Under the Skin

BY HAYLEY WILSON   Paranoia can feel like an infestation, a slow and subtle creeping until you’re overwhelmed by racing thoughts like scuttering insects. Director Joseph Johnson knows just what it takes to get audiences’ skin crawling with his production…

Review: River & Rail’s ‘Eurydice’ – Mythology in Wonderland 

BY HAYLEY WILSON   If you thought River & Rail’s final show at the Old City Performing Arts Center would be last year’s holiday special Little Women, think again—they have come back with a bang for one final production to round out…

Review: Knoxville Theatre Club’s ‘Cindy & Ella’ — The Tragic Roots of Fairytales

BY HAYLEY WILSON   You might not think that the old adage “when the going gets tough, the tough get going” would apply to princesses and fairytales, but Knoxville Theatre Club’s JP Schuffman and Sara Gaddis might beg to differ.…

Next Rung Productions’ ‘Page Against The Machine’— Pitting Playwrights Against Programs

BY HAYLEY WILSON   To ChatGPT, or Not to ChatGPT. That is the existential question plaguing many of us today now that Large Language Models (LLMs) like ChatGPT, Claude, Grok, and Gemini have become more and more unavoidable. From using…

Review: TKD’s ‘Private Lives’ Airs Out the Dirty Laundry

BY HAYLEY WILSON   Sometimes, old flames don’t die, but come back with a roaring and furious passion. This is the case with Noel Coward’s 1930 play Private Lives, a quick-witted and entertaining comedy of manners that gets close to…

Wrapping Up: Tennessee Stage Co.’s New Play Festival 2026

BY HAYLEY WILSON   January was a huge month for theatre in Knoxville, and one reason for this burst of theatrical activity during this season is Tennessee Stage Company’s annual New Play festival. This year’s New Play festival was held…

Review: In the Castle of Eternal Sunset – A Critical Hit for Immersive Theatre in Knoxville

BY HAYLEY WILSON   For three nights only, First Take Co. and Fable Hollow Bookshoppe hosted an interactive and gamified theatrical experience, In the Castle of Eternal Sunset, a new play by playwright Charles Green. The play incorporates the chance…

Review: TKD’s ‘Doubt, A Parable’

BY HAYLEY WILSON   In the opening monologue of John Patrick Shanley’s 2005 Pulitzer Prize and Tony Award winning Doubt, A Parable, Father Brendan Flynn (Ben Park), priest of Bronx Catholic school St. Nicholas, delivers a sermon about the feeling…

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